Catalog
| LDR | 03286cam a2200000 a | ||
| 001 | 0100724623▲ | ||
| 005 | 20230828150536▲ | ||
| 007 | ta ▲ | ||
| 008 | 220207s2022 ctua b 001 0 eng c▲ | ||
| 020 | ▼a9780300254037▼q(hbk.)▲ | ||
| 020 | ▼a0300254032▼q(hbk.)▲ | ||
| 035 | ▼a(KERIS)REF000020172396▲ | ||
| 040 | ▼aYUS▼beng▼cYUS▼dUKMGB▼dOCLCF▼dQGK▼dNLRIJ▼dYDX▼dERASA▼dYDX▼dMUU▼dDLC▼d221016▲ | ||
| 042 | ▼apcc▲ | ||
| 043 | ▼ae-ur---▲ | ||
| 050 | 0 | 0 | ▼aTR647.R63▼bG54 2022▲ |
| 082 | 0 | 4 | ▼a779.092▼223▲ |
| 090 | ▼a779.092▼bG554a▲ | ||
| 100 | 1 | ▼aGlebova, Aglaya K.▲ | |
| 245 | 1 | 0 | ▼aAleksandr Rodchenko :▼bphotography in the time of Stalin /▼cAglaya K. Glebova.▲ |
| 260 | ▼aNew Haven :▼bYale University Press,▼c[2022].▲ | ||
| 300 | ▼axiii, 241 p. :▼bill. (some col.) ;▼c27 cm▲ | ||
| 504 | ▼aIncludes bibliographical references (p. 221-231) and index.▲ | ||
| 505 | 0 | ▼aIntroduction. Rodchenko's contemporaneity -- Perspectives on the collective -- The socialist face -- Still nature -- Engineered chaos -- The photographer's hand.▲ | |
| 520 | ▼a"Through the lens of Aleksandr Rodchenko's photography, a new and provocative understanding emerges of the troubled relationship between technology, modernism, and state power in Stalin's Soviet UnionTracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko (1891-1956), a versatile Russian artist and one of Constructivism's founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language.In the context of the extreme transformations carried out under the first Five-Year Plans, Rodchenko's photography questioned his own modernist commitments. At the heart of this book is Rodchenko's infamous 1933 photo-essay on the White Sea-Baltic Canal, site of one of the first gulags. Glebova's careful reading of Rodchenko's photography reveals a surprisingly heterodox practice and brings to light experiments in adjacent media, including the collaborative design work he undertook with Varvara Stepanova, Rodchenko's partner in art and life"--Provided by publisher.▲ | ||
| 545 | 0 | ▼aAglaya K. Glebova is associate professor in the History of Art Department at the University of California, Berkeley.▲ | |
| 600 | 1 | 0 | ▼aRodchenko, Aleksandr Mikhaĭlovich,▼d1891-1956▼xCriticism and interpretation.▲ |
| 650 | 0 | ▼aPhotography▼zSoviet Union▼xHistory.▲ | |
| 650 | 0 | ▼aArt▼xPolitical aspects▼zSoviet Union▼xHistory.▲ | |
| 700 | 1 | 2 | ▼aRodchenko, Aleksandr Mikhaĭlovich,▼d1891-1956.▼tWorks.▼kSelections.▲ |
Aleksandr Rodchenko : photography in the time of Stalin
Document Type
Foreign Book
Title
Aleksandr Rodchenko : photography in the time of Stalin / Aglaya K. Glebova.
Publication
New Haven : Yale University Press , [2022].
Physical Description
xiii, 241 p. : ill. (some col.) ; 27 cm
Bibliography Note
Includes bibliographical references (p. 221-231) and index.
Formatted Contents Note
Introduction. Rodchenko's contemporaneity -- Perspectives on the collective -- The socialist face -- Still nature -- Engineered chaos -- The photographer's hand.
Summary Note
"Through the lens of Aleksandr Rodchenko's photography, a new and provocative understanding emerges of the troubled relationship between technology, modernism, and state power in Stalin's Soviet UnionTracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova reconsiders the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko (1891-1956), a versatile Russian artist and one of Constructivism's founders, embraced photography as a medium of revolutionary modernity. Yet his photographic work between the late 1920s and the end of the 1930s exhibits an expansive search for a different pictorial language.In the context of the extreme transformations carried out under the first Five-Year Plans, Rodchenko's photography questioned his own modernist commitments. At the heart of this book is Rodchenko's infamous 1933 photo-essay on the White Sea-Baltic Canal, site of one of the first gulags. Glebova's careful reading of Rodchenko's photography reveals a surprisingly heterodox practice and brings to light experiments in adjacent media, including the collaborative design work he undertook with Varvara Stepanova, Rodchenko's partner in art and life"--Provided by publisher.
Subject
ISBN
9780300254037 0300254032
Call Number
779.092 G554a
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