부산대학교 도서관

Ozaki Y; Graduate School of Media and Governance, Keio University, Fujisawa, Kanagawa, Japan.; Tierney A; Department of Psychological Sciences, Birkbeck, University of London, London, UK.; Pfordresher PQ; Department of Psychology, University at Buffalo, State University of New York, Buffalo, NY, USA.; McBride JM; Center for Algorithmic and Robotized Synthesis, Institute for Basic Science, Ulsan, South Korea.; Benetos E; School of Electronic Engineering and Computer Science, Queen Mary University of London, London, UK.; Proutskova P; School of Electronic Engineering and Computer Science, Queen Mary University of London, London, UK.; Chiba G; Graduate School of Media and Governance, Keio University, Fujisawa, Kanagawa, Japan.; Liu F; School of Psychology and Clinical Language Sciences, University of Reading, Reading, UK.; Jacoby N; Computational Auditory Perception Group, Max-Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.; Purdy SC; School of Psychology, University of Auckland, Auckland, New Zealand.; Centre for Brain Research and Eisdell Moore Centre for Hearing and Balance Research, University of Auckland, Auckland, New Zealand.; Opondo P; School of Arts, Music Discipline, University of KwaZulu Natal, Durban, South Africa.; Fitch WT; Department of Behavioral and Cognitive Biology, University of Vienna, Vienna, Austria.; Hegde S; Music Cognition Lab, Department of Clinical Psychology, National Institute of Mental Health and Neuro Sciences, Bangalore, Karnataka, India.; Rocamora M; Universidad de la República, Montevideo, Uruguay.; Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain.; Thorne R; School of Music, Victoria University of Wellington, Wellington, New Zealand.; Nweke F; Department of Creative Arts, University of Lagos, Lagos, Nigeria.; Department of Music, Mountain Top University, Ogun, Nigeria.; Sadaphal DP; Department of Behavioral and Cognitive Biology, University of Vienna, Vienna, Austria.; Sadaphal PM; Independent Researcher, New Delhi, India.; Hadavi S; Graduate School of Media and Governance, Keio University, Fujisawa, Kanagawa, Japan.; Fujii S; Faculty of Environment and Information Studies, Keio University, Fujisawa, Kanagawa, Japan.; Choo S; Graduate School of Media and Governance, Keio University, Fujisawa, Kanagawa, Japan.; Naruse M; Faculty of Policy Management, Keio University, Fujisawa, Kanagawa, Japan.; Ehara U; Haponetay, Shimizu-cho, Hokkaido, Japan.; Sy L; Independent researcher, Tokyo, Japan.; Independent researcher, Dakar, Sénégal.; Parselelo ML; Memorial University of Newfoundland, St. John's, NL, Canada.; Department of Music and Dance, Kenyatta University, Nairobi, Kenya.; Anglada-Tort M; Department of Psychology, Goldsmiths, University of London, London, UK.; Hansen NC; Aarhus Institute of Advanced Studies, Aarhus University, Aarhus, Denmark.; Centre of Excellence in Music, Mind, Body and Brain, University of Jyväskylä, Jyväskylä, Finland.; Interacting Minds Centre, School of Culture and Society, Aarhus University, Aarhus, Denmark.; Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark.; Haiduk F; Department of Behavioral and Cognitive Biology, University of Vienna, Vienna, Austria.; Department of General Psychology, University of Padua, Padua, Italy.; Færøvik U; Institute of Biological and Medical Psychology, Department of Psychology, University of Bergen, Bergen, Norway.; Magalhães V; Centre of Linguistics of the University of Porto (CLUP), Porto, Portugal.; Faculty of Arts and Humanities of the University of Porto (FLUP), Porto, Portugal.; School of Education of the Polytechnic of Porto (ESE IPP), Porto, Portugal.; Krzyżanowski W; Adam Mickiewicz University, Faculty of Art Studies, Musicology Institute, Poznań, Poland.; Shcherbakova O; Max Planck Institute for Evolutionary Anthropology, Leipzig, Germany.; Hereld D; Department of Psychiatry, UCLA Semel Institute for Neuroscience and Human Behavior, Los Angeles, CA, USA.; Barbosa BS; Department of Musicology, University of Vienna, Vienna, Austria.; Varella MAC; Department of Experimental Psychology, Institute of Psychology, University of São Paulo, São Paulo, Brazil.; van Tongeren M; Independent researcher, Taoyuan City, Taiwan.; Dessiatnitchenko P; School of International Liberal Studies, Waseda University, Tokyo, Japan.; Zar SZ; Headmistress, The Royal Music Academy, Yangon, Myanmar.; El Kahla I; Department of Cultural Policy, University of Hildesheim, Hildesheim, Germany.; Muslu O; Centre for the Study of Higher Education, University of Kent, Canterbury, UK.; MIRAS, Centre for Cultural Sustainability, Istanbul, Turkey.; Troy J; Director, Indigenous Research, Office of the Deputy Vice-Chancellor (Research); Department of Linguistics, Faculty of Arts and Social Sciences, The University of Sydney, Camperdown, NSW, Australia.; Lomsadze T; International Research Center for Traditional Polyphony of the Tbilisi State Conservatoire, Tbilisi, Georgia.; Georgian Studies Fellow, University of Oxford, Oxford, UK.; Kurdova D; South-West University Neofit Rilski, Blagoevgrad, Bulgaria.; Phoenix Perpeticum Foundation, Sofia, Bulgaria.; Tsope C; Universidade de Aveiro, Aveiro, Portugal.; Fredriksson D; Dalarna University, Falun, Sweden.; Arabadjiev A; Department of Folk Music Research and Ethnomusicology, University of Music and Performing Arts-MDW, Wien, Austria.; Sarbah JP; Department of Music and Dance, University of Cape Coast, Cape Coast, Ghana.; Arhine A; Department of Music, University of Ghana, Accra, Ghana.; Meachair TÓ; Department of Ethnomusicology and Folklore, Indiana University, Bloomington, IN, USA.; Silva-Zurita J; Department of Humanities and Arts, University of Los Lagos, Osorno, Chile.; Millennium Nucleus on Musical and Sound Cultures (CMUS NCS 2022-16), Santiago, Chile.; Soto-Silva I; Department of Humanities and Arts, University of Los Lagos, Osorno, Chile.; Millennium Nucleus on Musical and Sound Cultures (CMUS NCS 2022-16), Santiago, Chile.; Millalonco NEM; Traditional Performer and Culture Bearer, Castro, Chile.; Ambrazevičius R; Kaunas University of Technology, Kaunas, Lithuania.; Loui P; Music, Imaging and Neural Dynamics Lab, Northeastern University, Boston, MA, USA.; Ravignani A; Department of Human Neurosciences, Sapienza University of Rome, Rome, Italy.; Max Planck Institute for Psycholinguistics, Nijmegen, Netherlands.; Center for Music in the Brain, Department of Clinical Medicine, Aarhus University, Aarhus, Denmark & The Royal Academy of Music Aarhus/Aalborg, Aarhus, Denmark.; Jadoul Y; Department of Human Neurosciences, Sapienza University of Rome, Rome, Italy.; Max Planck Institute for Psycholinguistics, Nijmegen, Netherlands.; Larrouy-Maestri P; Music Department, Max-Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.; Max Planck-NYU Center for Language, Music, and Emotion (CLaME), New York, NY, USA.; Bruder C; Music Department, Max-Planck Institute for Empirical Aesthetics, Frankfurt am Main, Germany.; Teyxokawa TP; Txemim Puri Project-Puri Language Research, Vitalization and Teaching/Recording and Preservation of Puri History and Culture, Rio de Janeiro, Brasil.; Kuikuro U; Independent Researcher, Brazil.; Natsitsabui R; Independent Researcher, Brazil.; Sagarzazu NB; Department of Education, University of Glasgow, Glasgow, UK.; Raviv L; Max Planck Institute for Psycholinguistics, Nijmegen, Netherlands.; cSCAN, University of Glasgow, Glasgow, UK.; Zeng M; Graduate School of Media and Governance, Keio University, Fujisawa, Kanagawa, Japan.; Rhode Island School of Design, Providence, RI, USA.; Varnosfaderani SD; Institute for English and American Studies (IEAS), Goethe University of Frankfurt am Main, Frankfurt am Main, Germany.; Cognitive and Developmental Psychology Unit, Centre, for Cognitive Science, University of Kaiserslautern-Landau (RPTU), Kaiserslautern, Germany.; Gómez-Cañón JS; Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain.; Kolff K; Institute of Cognitive Science, University of Osnabrück, Osnabrück, Germany.; der Nederlanden CVB; Department of Psychology, University of Toronto Mississauga, Mississauga, ON, Canada.; Chhatwal M; Department of Psychology, University of Toronto Mississauga, Mississauga, ON, Canada.; David RM; Department of Psychology, University of Toronto Mississauga, Mississauga, ON, Canada.; Setiawan IPG; Independent researcher, Tokyo, Japan.; Lekakul G; Faculty of Fine Arts, Chiang Mai University, Chiang Mai, Thailand.; Borsan VN; Graduate School of Media and Governance, Keio University, Fujisawa, Kanagawa, Japan.; Université de Lille, CNRS, Centrale Lille, UMR 9189 CRIStAL, F-59000 Lille, France.; Nguqu N; School of Arts, Music Discipline, University of KwaZulu Natal, Durban, South Africa.; Savage PE; School of Psychology, University of Auckland, Auckland, New Zealand.; Faculty of Environment and Information Studies, Keio University, Fujisawa, Kanagawa, Japan.

Publisher: American Association for the Advancement of Science Country of Publication: United States NLM ID: 101653440 Publication Model: Print-Electronic Cited Medium: Internet ISSN: 2375-2548 (Electronic) Linking ISSN: 23752548 NLM ISO Abbreviation: Sci Adv Subsets: MEDLINE

SADAPHAL, PM; NATARAJAN, B

NATURAL RESOURCES FORUM; AUG 1992, 16 3, p221-p225, 5p.