학술논문
Le scaphandre et le papillon : Autopathography, the Locked-In Self, and Schnabel’s Cinema of Embodiment
Document Type
Article
Author
Source
L'Esprit Créateur. 56(2):93-107
Subject
Language
English
ISSN
1931-0234
Abstract
This article analyses the cinema of embodiment created in Julian Schnabel’s film adaptation of Jean-Dominique Bauby’s autobiographical account of life with locked-in syndrome (LIS) in the light of selected perspectives from cognitive and phenomenological film theory and the thought of Michel Foucault (specifically his concept of “technologies of the self”).