부산대학교 도서관

[ChunCh’en Shunzi Daofu, Fufuhao Baiyang, Baiyang Shanren] (b Suzhou, Jiangsu Province, 1483; d 1544). Chinese painter, calligrapher, and poet. Born into a wealthy family of the scholar–official class, he is known for his landscapes (see fig.) and flower paintings. He was once a student of Wen Zhengming and was loosely associated with the Wu school. He is best known for his landscapes in the style of the Northern Song-period (960–1127) master Mi Fu and his son, Mi Youren, and of their Yuan-period (1279–1368) interpreter, Gao Kegong (see fig.). The Mi style was rarely appreciated by Suzhou artists, but Chen’s affinity for it could be explained by the fact that his family owned a painting by Mi Youren. The style is characterized by cone-shaped or rounded hills composed of large, horizontal, wet blobs of ink applied in vertical layers. Chen added motifs and techniques borrowed from the Suzhou artist Shen Zhou, such as rhomboid plateaux outlined with dry brush lines and squat, blocky figures. Chen further modified the Mi style, giving it a rich, coloristic effect by introducing fluid color washes and large blobs of blue and buff, as in his ...