부산대학교 도서관

(fl c1550). Spanish composer. His first name is uncertain; in the past it has sometimes (as in Grove5) been too readily assumed to be Antonio. According to Collet he was maestro de capilla of the collegiate church of S Salvador, Seville, about 1550. A well-known cancionero of the period contains four works for four voices attributed to ‘Bernal’ or ‘Bernal Gonçalez’: a mass (without Gloria or Credo) Domine, memento mei; the turbae (crowd scenes) of a St Matthew Passion; and the highly sophisticated and expressive madrigal Navego en hondo mar (the last ed. in MME, viii, 1949, 74–7). His four-part pentecostal hymn Veni, Creator Spiritus seems to have been popular, for three copies exist (two in E-Tc and one in the archive of Guadalupe monastery, Cáceres; ed. in Tesoro sacro musical, lvii/3, 1974, suppl., 19f). There is also a poignant motet, Ave sanctissimum, by him (in ...