학술논문

The Form of Ideology and the Ideology of Form
Document Type
book
Author
Source
Subject
Afro-Asian solidarity
anti-imperialist commitments
Cold War
decolonization
bic Book Industry Communication::A The arts::AF Art forms::AFH Prints & printmaking
bic Book Industry Communication::H Humanities::HB History::HBL History: earliest times to present day::HBLW 20th century history: c 1900 to c 2000::HBLW3 Postwar 20th century history, from c 1945 to c 2000
bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTB Social & cultural history
bic Book Industry Communication::H Humanities::HB History::HBT History: specific events & topics::HBTW The Cold War
bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies
bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFC Cultural studies::JFCD Material culture
Language
English
Abstract
This timely volume focuses on the period of decolonization and the Cold War as the backdrop to the emergence of new and diverse literary aesthetics that accompanied anti-imperialist commitments and Afro-Asian solidarity. Competing internationalist frameworks produced a flurry of writings that made Asian, African and other world literatures visible to each other for the first time. The book’s essays examine a host of print culture formats (magazines, newspapers, manifestos, conference proceedings, ephemera, etc.) and modes of cultural mediation and transnational exchange that enabled the construction of a variously inflected Third-World culture which played a determining role throughout the Cold War. The essays in this collection focus on locations as diverse as Morocco, Tunisia, South Asia, China, Spain, and Italy, and on texts in Arabic, English, French, Hindi, Italian, and Spanish. In doing so, they highlight the combination of local debates and struggles, and internationalist networks and aspirations that found expression in essays, novels, travelogues, translations, reviews, reportages and other literary forms. With its comparative study of print cultures with a focus on decolonization and the Cold War, the volume makes a major contribution both to studies of postcolonial literary and print cultures, and to cultural Cold War studies in multilingual and non-Western contexts, and will be of interest to historians and literary scholars alike.