학술논문

Jiménez, Edith
Document Type
Reference Entry
Author
Source
Oxford Art Online, 2003
Subject
Paraguayan
Language
English
Abstract
(b Asunción, 1921; d Asunción, May 14, 1993). Paraguayan painter and engraver. She studied under Jaime Bestard and Lívio Abramo in Asunción and from 1958 in São Paulo, Brazil. Her paintings of the 1950s were Cubist-inspired landscapes and still lifes in oils. In the late 1950s she began to transpose her schematized pictorial style into wood engraving; in the early 1960s her engravings were increasingly based on the simple play of black and white and textures, and she then passed through a phase of abstraction related to Art informel finally to reach a purified but effectively suggestive abstraction based on organic forms. Her engravings of this period show her skill in synthesis and her capacity for expression: large shapes are realized straightforwardly in black and white but are animated by an intense inner energy. In the 1970s she embarked on a new technique based on multiple impressions and the use of color: large masses of strong shades and contrasting tones were superimposed and juxtaposed to provoke special chromatic tensions. This series of engravings, entitled ...