학술논문
F. schubert Arpeggione Sonata in a minor D.821에 관한 연구 / A Study on F. Schubert's Arpeggione Sonata in a minor D.821
Document Type
Dissertation/ Thesis
Author
Source
Subject
Language
Korean
Abstract
슈베르트(Franz Peter Schubert, 1797-1828)는 낭만 초기의 작곡가로서 고전주의 음악에서 깊은 내면에 있던 서정성을 표현의 수단으로 발전시키고 멘델스존, 슈만, 쇼팽 등의 낭만주의 작곡가들의 기악 음악에 영향을 끼쳤다.모두 3악장인 D.821은 1악장이 고전적인 소나타 형식이며 2악장은 복합 2부분에 Coda를 추가한 형식, 3악장은 변형된 론도 형식으로 되어있다. 특히 2악장은 가곡과 같은 단순한 선율로서 반주가 화성적으로 뒷받침 해주고 있으며 느린 템포로 인하여 화성적으로 매우 부드러운 반음계적 진행을 사용하였다. 또한 화성적으로는 일반적 낭만 음악의 화성 어법인 감 7화음, 증6화음 중에서 Ger.6화음 그리고 부속화음의 사용과 함께 연속적인 반음계 진행, 반음계적 3도 관계전조 등의 사용이 제 1악장과 제 2악장에 이어 동일하게 사용되고 있다.슈베르트의 Arpeggione Sonata a minor D.821은 고전주의 형식을 기초로 특유의 서정적인 선율, 다양한 화성, 자유자재의 전조를 사용하여 작곡자의 개성과 주관, 감성을 나타낸 초기 낭만파 작품으로서, 아르페지오네 악기를 위해 쓴 유일한 곡이며 그의 선율 중심의 음악적 특성이 잘 나타난 곡이다.
Franz Peter Schubert(1797-1828) is one the representative composers in the early Romantic period. He brought up the lyricism which were deep within the Classical music up to the surface and immensely influenced on the instrumental music of the Romantic composers such as Mendelssohn, Schumann, Chopin, etc.The first movement is based on Classic sonata form and melodical feature is that the center note of theme accelerates in regular sequence form A to F at the sixth intervals. As for harmonic feature, the diatonic scale of first 1-4 phrases and the chromatic scale of second 5-8 phrases are contrasted and harmonized each other, and Ger.6 is used in harmony of chromatic scale.The Second movement has a form adds coda in compound binary form, and theme of each part is rotated and repeated without a great change. Melody is rather simple since half of it is like a song, and it is characteristic that its accompaniment is supported harmonically. As for harmonic feature, the tune itself is slow and soft, and that it uses very natural motion of chromatic scales harmonically.The third movement has a transformed Rondo form as melody consists of mainly shorter units of Rondo theme and lighter dotted rhythms. As for general harmonic feature, the Ger.6 chords, and diminished 7th chords and augmented 6th chord which are successive motion of chromatic scales along with auxiliary chord, and modulation of chromatic 3th relationship are equally used as in the first and second movements.The Arpeggione sonata a minor D.821 by Schubert is an early Romantic period music, derived from the pattern of classicism, with high completeness, and is based on the liberal development focusing on personality, subjectivity and emotion of composer.
Franz Peter Schubert(1797-1828) is one the representative composers in the early Romantic period. He brought up the lyricism which were deep within the Classical music up to the surface and immensely influenced on the instrumental music of the Romantic composers such as Mendelssohn, Schumann, Chopin, etc.The first movement is based on Classic sonata form and melodical feature is that the center note of theme accelerates in regular sequence form A to F at the sixth intervals. As for harmonic feature, the diatonic scale of first 1-4 phrases and the chromatic scale of second 5-8 phrases are contrasted and harmonized each other, and Ger.6 is used in harmony of chromatic scale.The Second movement has a form adds coda in compound binary form, and theme of each part is rotated and repeated without a great change. Melody is rather simple since half of it is like a song, and it is characteristic that its accompaniment is supported harmonically. As for harmonic feature, the tune itself is slow and soft, and that it uses very natural motion of chromatic scales harmonically.The third movement has a transformed Rondo form as melody consists of mainly shorter units of Rondo theme and lighter dotted rhythms. As for general harmonic feature, the Ger.6 chords, and diminished 7th chords and augmented 6th chord which are successive motion of chromatic scales along with auxiliary chord, and modulation of chromatic 3th relationship are equally used as in the first and second movements.The Arpeggione sonata a minor D.821 by Schubert is an early Romantic period music, derived from the pattern of classicism, with high completeness, and is based on the liberal development focusing on personality, subjectivity and emotion of composer.