부산대학교 도서관

Summary Key Words: assertiveness, language, music, abyssal, suite This work tries to analyse the assertiveness theme, meant as affective, bodily and pre-reflective language, looking from an internal perspective, that is through music. The analysis tool is assertive itself, because it is based on a metaphor: the abyssal suite. It's a musical and psychological self-evident pattern, as instant display of existence, where we replace the line culture with the circle one. So, pathos and logos, at first broken by our rationalistic anthropology, are put together into an original and abyssal unity, because man comes to an agreement with: 1) the myth, assertive word different from logos, (myth allemande) 2) the other and so with the society, (societies courante) 3) himself and so with his multimensionality (man's sarabande) 4) the praxis reality, the experience in which abyssal call shows itself, (exeperience the gigue).
1. Che cos'e la musica? Il titolo dell'articolo potrebbe costituire di per se una risposta, almeno apparente, a quest'interrogativo; pertanto mi sembra opportuno dedicargli una breve riflessione, non tanto allo [...]