학술논문
MIXED EMOTIONS: As a major retrospective of Philip Guston's work finally opens, it's time to recognise that the artist's motivations in painting the hooded Ku Klux Klan figures were as complicated and uneasy as our reactions might be
Document Type
Academic Journal
Author
Source
Apollo. May, 2022, Vol. 195 Issue 708, p78, 7 p.
Subject
Language
English
ISSN
0003-6536
Abstract
There's a word that almost always pops up in conversations about Philip Guston's turn to a late, cartoonish mode: freedom. At the opening of the exhibition at Marlborough Gallery in [...]