부산대학교 도서관

Sound, voice and attention are considered from both acknowledged artistic practices in theatre but also from a reflexive point of view about how the actors’ training might benefit from a reconsideration of own vocal experience. Issues such as the aural context in which theatre audiences live and the practical questions of getting their attention point to a necessary reconsideration of how actor’s training could restore a real sense of vocal experience of the body in our world.