학술논문

일본 민속 예능(芸能)으로서 사기마이의 의미 연구 : 쓰와노 사기마이를 중심으로
Research on the Meaning of Japanese Folk Performing Art Sagimai : Focused on Sagimai in Tsuwano
Document Type
Article
Text
Source
한국무용학회지, 01/31/2024, Vol. 23, Issue 4, p. 11-21
Subject
사기마이
민속 예능
마쓰리
총체 예술
문화재
Sagimai
Folk Performing Art
Japanese Shigoten Festival
Artistic Integration
Cultural Heritage
Language
한국어(KOR)
ISSN
1975-4477
Abstract
This study involved the recording of Sagomai performances in Tsuwano and interviews with Shinto priests and scholars studying Sagimai. Additionally, research materials were gathered from the local museum in Tsuwano and the Tokyo Metropolitan Library. Through on-site investigations and literature reviews, we gained insights into the historical background and evolution of Sagimai. Subsequently, we analyzed and discussed the significance of Sagimai in the Tsuwano Shinto festivals. The aim is to provide foundational data for future comparative studies on crane dances in Japan, China, and Korea. Sagimai in Japan originated from the Tsuwano Shinto festival in Kyoto and, after passing through Yamaguchi, took root in Tsuwano, where it has been preserved to this day. Designated as a cultural heritage in Japan, Sagimai has attracted an increasing number of scholars. Notable contributors to this research include Yatomi Takuo, an arts researcher in Tsuwano, Sagimai specialist Yamagata Koji, and the German scholar Louis Carlo, studying in Japan. Their valuable insights have significantly contributed to the analysis and background research of Sagimai in this study. However, there are limitations, such as the gradual reduction in the number of members in the main Sagemai organization, "Touya." Members are actively exploring solutions to address this issue. "Sagamai" is a folk performing art deeply intertwined with the lives of the people in Tsuwano and continues to be a significant ritual activity to this day.