학술논문
신고송의 예술대중화론과 대중화 형식 연구
Sin Ko Song's Controversy of Art-Popularization and Popular Forms of Art
Sin Ko Song's Controversy of Art-Popularization and Popular Forms of Art
Document Type
Article
Text
Text
Author
Source
한중인문학연구, 08/31/2011, Vol. 33, p. 135-162
Subject
Language
Korean
ISSN
1598-0383
Abstract
This paper observed Sin Ko Song's Controversy of Art-Popularization and Popular Forms of Art. The result of analysis can be summarized as follows. 1) From 1928 to 1932, He was broadening the scope of critical object. That is a chronicle choices from Children's Song to Children's Poem, from Children's Poem to Poetry, from Poetry to Music, fro Music to Theater. 2) From 1928 to 1931, His Criticism adjusted the focus of Children's Song. He judged the Bourgeoisie Viewpoint of Children by angelism and then exposed revolutionary Romanticism. 3) From 1928 to 1931, His Criticism adjusted the focus of Children's Poem. He separated Children's Poem from Children's Song and then claimed The Proletarian Children's Poem, Bolshevikization of Children's Poem. 4) During 1931, His Criticism adjusted the focus of contemporary poetry. He judged the poetry for art principle by the hedonic subjectivism and then produced The Proletarian Realism. 5) From 1930 to 1931, His Criticism adjusted the focus of contemporary music. he produced Art-Popularization, and then advocated Art-Popularization through Music, Music-Popularization. 6) From 1931 to 1932, His Criticism adjusted the focus of contemporary Theatre. He insisted on Theatre-Popularization. That is the useless theory of indoor performing, the theory of Drama League, the theory of an itinerant troupe, The theory of Sprech-chor.