부산대학교 도서관

This study attempted to make an investigation and comparative analysis of the movement and dance of south-coast Byulsingut and east-coast Byulsingut. Based on it, it sought to elicit the commonality and difference in shaman dance between them. As a result, the following conclusion was drawn: 1. Shaman dance of Byulsingut in the south coast and the east coast is designated according to major accompanied rhythm. 2. Shaman dance of Byulsingut in the south coast and the east coast is designated according to the use of major shamanic props. 3. The ‘jwauchiki’ movement of the shaman dance of Byulsingut is used in both the east coast and the south east of Korea, and there is the movement different in the terms used and similar in the form of motion. 4. Byulsigut contains many Buddhistic elements, which are much shown at the rite of the large exorcism in the south coast, whereas the Buddhistic color appears in the shaman dance of east-coast Byulsingut. 5. The dance movement of south-coast Byulsingut is similar to that of ‘Chunaengmu’. Seeing it has no jumping motion, making the sole of the foot invisible, no large traffic line, they demonstrate the self-restraint of court dance and the aesthetics of the East. On the other hand, east-coast Byulsingut may represent the jumping motion and leg-lifting motion according to the tempo of the accompanied rhythm. 6. In many cases, the solo dance is largely performed in south-east Byulsingut, but man-woman pas de deux and group dance are performed in east-coast Byulsingut. 7. East-coast Byulsingut contains many upward-spraying and turning motions but south-coast Byulsingut contains only the motion of ‘wutsawi’. The movements of spraying upward or turning are limited in south-coast Byulsingut because the shamanic prop of ‘large head’ has to be worn. The shaman dance of Byulsingut has difficulty with the unified designation and classification due to the characteristics of shaman dance in spite of Korean-specific culture and arts. Since this is the impedimental element to the success and development of shaman dance of kinds, the accurate work of recording shaman dance according to the procedures of the rite should be preceded by taking advantage of the characteristics of Byulsingut in each region.