학술논문

동해안 별신굿 춤사위의 생성요인에 관한 연구
Study on generative tactors of Chumsawi of Byeolshingut in the East Coast
Document Type
Article
Text
Source
예술과 과학기술(구 우리춤과 과학기술), 12/31/2006, Vol. 3, p. 49-66
Subject
무무
춤사위
지리
민속어원
역사
종교
Mumu
Chumsawi
geography
folk etymology
history
religion
Language
Korean
ISSN
1738-9178
Abstract
This study attempted to approach the generative factors of ‘Mumu’ from diverse angles through its synthetic research and analysis of ‘Mumu’ of Byeolshingut in the East Coast designated as the important cultural property. As a result, the following findings were obtained: 1. It is necessary to give priority to establishing the terminology of East-coast dance and its motions or movements thus far diversely used based on six research materials thought to be well-organized in relation to the terminology of ‘Mumu’ dance and its movements. 2. The number of kinds of Mumu dances in six research materials is diverse because the motion of ‘Mumu’ has improvisation by the audience. 3. The movement of ‘Mumu’ is composed of mimetic words imitating the human movements. 4. Residents in the East-coast villages whose livelihood was fishing due to the natural conditions of the East Coast naturally and geographically unfavorable to the harbor activity invoked stability and large catch by performing the exorcism of the village community inevitably. ‘Eopochum Dance’, ‘Dance with Alaska Pollack’ were derived from the meaning of the Alaska pollack which revitalizes the transmission of ‘East-coast Byelshingut’, is the representative fish of the East Coast and prevents misfortunes. 5. The phoneme of the single vowel of the dialect used in the East Coast in terms of ethnogenesis largely contains 10. ‘Puneorichum Dance’ would be derived from Puneolri and ‘Geomuchum Dance' from Kummu. 6. Historically, ‘Geomuchum Dance’ would be derived from the occupation of the East-coast area including the incorporation of Dokdo and Ulreungdo at the time of King Jijeung in the Shilla Kingdom(512) and the establishment of Hwarangdo at the reigning period of King Jiheung(522) and the meaning of expressing the sorrow at the dead boy. 7. Religiously, the Shilla Kingdom occupied the East Coast area and developed the Buddhism-respecting policy and the Buddhistic culture since the unification of three ancient states. Therefore, therefrom derived ‘Barachum Dance’, ‘Jungchum Dance’, ‘Butterfly Dance’, ‘Georyeongsanchum Dance’ and the like.