부산대학교 도서관

Asghar Farhadi's film pioneered a new narrative style in Iranian cinema. He used "metaphors” to reflect real life, pointed the lens at the family, and analyzed the relationship between people, people and families, and people and society. Through the analysis of film texts, this paper expounds the practical and humanistic care in Asghar Farhadi's films from three aspects: the influence of Iran's new wave movement on Asghar Farhadi, the theme of the film under realistic themes, and the narrative language of various aspects of the film.