부산대학교 도서관

In Yeongnam, the Pungryubang culture disappeared in the 1980s, so Julpungryu is not currently being actively passed down in Yeongnam region. However, recently, Lee Mal-ryang's data related to Gyeongju-Pungryu and Heo Sun-gu's data related to Daegu-Pungryu were released, attracting attention. In this study, I introduced materials related to the Pungryu of Lee Mal-ryang and Heo Sun-gu and examined the transmission patterns of the two Pungryu. Lee Mal-ryang was an entertainer from Gyeongju. She studied Pungryu in Hamheung as a child, then moved to Gyeongju at the age of 40 and practiced Pungryu with Gyeongju Yulgaek for about 20 years. Lee Mal-ryang's Pungryu is transmitted through sound source and three types of music score, and Lee Ji-young, who works in Seoul, and Choi Eun-kyung, who works in Gyeongju, are direct disciples of Lee Mal-ryang and are passing down Lee Mal-ryang's pungryu. Heo Sun-gu's Pungryu became known to the world in 2013 when Heo Sun-gu's descendants donated the scores he left behind to the National Gugak Center, and the scores were later compiled into Seobong Gugakbo. Heo Sun-gu's Pungryu was restored and performed by Go Bo-seok, and in Daegu, the ‘Daegu Hyangje-julpungryu Preservation Society’ was established to pass down Heo Sun-gu's Pungryu. However, it has been confirmed that in Daegu, Heo Sun-gu's Pungryu is not actively being passed down, and that Heo Sun-gu's Pungryu is being passed down through Go Bo-seok. As a result of examining the transmission patterns of Lee Mal-ryang and Heo Sun-gu's Pungryu, it was found that Gyeongju and Daegu were able to communicate with each other as a same Pungryu cultural area. It was confirmed that Heo Sun-gu had deep exchanges with masters from the Honam region, including Shin Kwae-dong, Jeong Gyeong-tae, and Shin Eun-hyu, in Daegu. This Study hopes that will serve as a foundation for academic research on the pungryu of Lee Mal-ryang and Heo Sun-gu, and that more performers will be able to actively pass on their Pungryu.