학술논문

Portrait diffracté de l’« architecte » : artiste, archi-technocrate ou community architect ?
Document Type
article
Author
Source
Ebisu: Études Japonaises, Vol 57, Pp 23-81 (2020)
Subject
International Architecture Mafia
CAD/CAM/BIM
Community Architect
Rehabilitation
Fukushima
Design-Build
Social Sciences
Language
English
French
Japanese
ISSN
2189-1893
Abstract
Known as “the three lost decades”, the Heisei era saw the persistent decline of Japan’s place in the world. Like the series of disasters of the time, including the major earthquake off the Pacific coast of Tōhoku, the shift from “scrap and build” to rehabilitation shook the very foundations of Japan’s architectural realm, as architects – despite their activities abroad – no longer had their place against the growing monopoly of the super zenekon (contractor giants). Meanwhile, community architects working on Japanese soil emerged but without truly taking root. It was during this period, therefore, that the concept of “architect”, dating back to the Meiji era, lost its authority, thus diffracting the ideal portrait of the architect.