학술논문
PANDEMONIUM REGAINED: SYNCHRONIZATION, DISSONANCE, AND THE DEVIL.
Document Type
Article
Author
Source
Spectator: The University of Southern California Journal of Film & Television; Spring/Summer1997, Vol. 17 Issue 2, p8-21, 14p, 4 Black and White Photographs
Subject
Language
ISSN
10510230
Abstract
The article focuses on synchronization and musicality in film. Synchronization refers to the sum total of the representational and corporal effects of parallel media being interpreted and interacted with in time. A sync film of any type, documentary or entertainment, contains some of consonant synchronization and dissonant synchronization. Consonant synchronization works to emphasize onomatopoeic effects that are useful in terms of delivering thrill, excitement, visceral response, whereas dissonant synchronization works to invoke reflection or negotiation between the spectators, their experiences, and the persons and experiences depicted in the work.