학술논문

Race and the modernist imagination: The politics of form, 1900--1940 (Sax Rohmer, Katherine Mansfield, Rebecca West, Virginia Woolf, George Orwell).
Document Type
Theses
Source
Dissertation Abstracts International; Dissertation Abstract International; 62-11A.
Subject
Literature, English
Language
English
Abstract
Summary: To navigate modernist fiction's racial constructions is to understand how race anatomizes the ascendant value of newness in the twentieth century. In the primary texts of this dissertation, manifold visions of race, racism, and racial difference express the abundant meanings that accrued around conceptions of “the modern.” Modern technocratic utopianism confronts its limitations in the Dr. Fu-Manchu thrillers of Sax Rohmer, where melodramatic race-wars threaten to end white England's global sovereignty. In Katherine Mansfield and Rebecca West's primitivist narratives, blackness and femininity conjoin to become metropolitan modernity's unsuspected racial alterities to splinter the legacy of Victorian patriarchy and nation-building. Finally, George Orwell's colonial fiction protects the imperial machine from a series of diverse cultural renovations, my project demonstrates that the politics and poetics of race underpin the movement's contradictory artistic commitments and affiliations.