부산대학교 도서관

"An old melody in a new song: aesthetics and the art of psychology" provides comprehensive analysis of the history of 'psychological aesthetics' and considers ways of its future growth. Jovanovic (2018) and Allesch (2018) trace the process of the conception of Aesthetics by Baumgartner, who related aesthetic experiences with sensual and cognitive processes. Subsequently, studies on aesthetic experiences developed predominantly either in objectivist or subjectivist directions, rejecting systematic approaches. Reductionist views prevailed till the appearance of the theory of imagination in cultural psychology. Imagination is considered as a higher mental process. It is the process of exploration through and by means of systematically organized thinking-feeling-acting processes, beyond what is already known, available, achieved or typical. Imagination is activated occasionally, when existing conditions aren't satisfactory in some way or new challenges arise. Imagination is the synthesis of top-down and bottom up processes (Tateo 2018b) and has a transformative power for individuals and sociocultural systems. Particular case studies of the role of music (Klempe 2018), participatory art and the exploration of the meaning of pilgrimage to Ikea (Kristensen 2018) illustrate the work of imagination in terms of systematic interrelatedness of sociocultural factors with individual meaning-making and affective processes. This paper provides the review of inspirational theoretical and empirical material which could serve as a foundation for further advancement of culturally and psychologically informed theory of aesthetics and imaginative processes. It aims to contribute in building ground for moving beyond the reductionist limits and in the construction of systematic approach to human mind. [ABSTRACT FROM AUTHOR]