소장자료
| LDR | 03566cam a2200541 i 4500 | ||
| 001 | 0100731841▲ | ||
| 003 | OCoLC▲ | ||
| 005 | 20230920173809▲ | ||
| 006 | m d | | ▲ | ||
| 007 | cr |||||||||||▲ | ||
| 008 | 201130s2021 enk ob 001 0 eng ▲ | ||
| 010 | ▼a 2020053990▲ | ||
| 020 | ▼a0197567630▲ | ||
| 020 | ▼a9780197567623▼qelectronic book▲ | ||
| 020 | ▼a0197567622▼qelectronic book▲ | ||
| 020 | ▼a9780197567630▼q(electronic bk.)▲ | ||
| 020 | ▼z9780197567616▼qhardcover▲ | ||
| 035 | ▼a2928489▼b(N$T)▲ | ||
| 035 | ▼a(OCoLC)1226076311▲ | ||
| 040 | ▼aDLC▼beng▼erda▼cDLC▼dOCLCO▼dOCLCF▼dYDX▼dEBLCP▼dYDX▼dN$T▲ | ||
| 042 | ▼apcc▲ | ||
| 049 | ▼aMAIN▲ | ||
| 050 | 0 | 0 | ▼aN72.T4▼bT46 2021▲ |
| 082 | 0 | 0 | ▼a700.1/05▼223▲ |
| 100 | 1 | ▼aThomson-Jones, Katherine,▼eauthor.▲ | |
| 245 | 1 | 0 | ▼aImage in the making▼h[electronic resource] :▼bdigital innovation and the visual arts /▼cKatherine Thomson-Jones.▲ |
| 260 | ▼aOxford ;▼aNew York :▼bOxford University Press, ▼c2021.▲ | ||
| 300 | ▼a1 online resource▲ | ||
| 336 | ▼atext▼btxt▼2rdacontent▲ | ||
| 337 | ▼acomputer▼bn▼2rdamedia▲ | ||
| 338 | ▼aonline resource▼bnc▼2rdacarrier▲ | ||
| 504 | ▼aIncludes bibliographical references and index.▲ | ||
| 505 | 0 | ▼aDigital Imaging Technology -- Digital Structure -- Digital Ontology and Appreciation -- Digital Media and Appreciation -- Digital Interactivity -- Digital Realism.▲ | |
| 520 | ▼a"Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images-whether they are still or moving, 2D or 3D-have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. The case is made for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form-from digital video installation to net art to digital cinema-there is a basic truth that we cannot ignore: The nature and technology of the digital expands both what an image can be as an image and what an image can be for us"--▼cProvided by publisher.▲ | ||
| 588 | ▼aDescription based upon online resource; title from PDF title page (viewed June 1, 2021).▲ | ||
| 590 | ▼aAdded to collection customer.56279.3▲ | ||
| 650 | 0 | ▼aArt and technology.▲ | |
| 650 | 0 | ▼aDigital images.▲ | |
| 650 | 7 | ▼aArt and technology.▼2fast▼0(OCoLC)fst00815441▲ | |
| 650 | 7 | ▼aDigital images.▼2fast▼0(OCoLC)fst01739927▲ | |
| 655 | 4 | ▼aElectronic books.▲ | |
| 776 | 0 | 8 | ▼iPrint version:▼aThomson-Jones, Katherine.▼tImage in the making▼dNew York : Oxford University Press, 2021.▼z9780197567616▼w(DLC) 2020053989▲ |
| 856 | 4 | 0 | ▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2928489▲ |
Image in the making[electronic resource] : digital innovation and the visual arts
자료유형
국외eBook
서명/책임사항
Image in the making [electronic resource] : digital innovation and the visual arts / Katherine Thomson-Jones.
발행사항
Oxford ; New York : Oxford University Press , 2021.
형태사항
1 online resource
서지주기
Includes bibliographical references and index.
내용주기
Digital Imaging Technology -- Digital Structure -- Digital Ontology and Appreciation -- Digital Media and Appreciation -- Digital Interactivity -- Digital Realism.
요약주기
"Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images-whether they are still or moving, 2D or 3D-have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. The case is made for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form-from digital video installation to net art to digital cinema-there is a basic truth that we cannot ignore: The nature and technology of the digital expands both what an image can be as an image and what an image can be for us"-- Provided by publisher.
기타형태저록
ISBN
0197567630 9780197567623 0197567622 9780197567630
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