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100 | 1 | ▼aMercer, Kobena,▼d1960-▲ | |
245 | 1 | 0 | ▼aAlain Locke and the visual arts /▼cKobena Mercer.▲ |
260 | ▼aNew Haven ;▼aLondon :▼bYale University Press,▼c[2022]▲ | ||
300 | ▼aix, 227 p. :▼bill. (some col.) ;▼c26 cm.▲ | ||
490 | 0 | ▼aRichard D. Cohen lectures on African & African American art▲ | |
500 | ▼aPublished in association with the Hutchins Center for African & African American research, Harvard University.▲ | ||
504 | ▼aIncludes bibliographical references and index.▲ | ||
520 | 8 | ▼aCritic and theorist Alain Locke (1885-1954) was a foundational figure of the Harlem Renaissance who argued that changing self-perceptions among Black artists and writers would alter America's view of itself as a whole. Offering a new interpretation of Locke's influential writings, Kobena Mercer focuses on the importance of cross-cultural entanglement and positions the philosopher as an advocate for an Afromodern aesthetic that drew from both formal experiments in Europe and the iconic legacy of the African past. Mercer considers Locke's understudied 1940 picture book, The Negro in Art, a global history of the Black image, and argues for the significance of Black queer practices within the history of modernism. With this book--a deft blend of philosophy, cultural studies, and art history, enlivened with illustrations by artists including Richmond Barthe, Aaron Douglas, and Lois Mailou Jones-Mercer demonstrates that Locke envisioned modern art as a dynamic space where images and ideas would circulate widely, generating new hybrid forms from the fluid conditions of diaspora.▲ | |
600 | 1 | 0 | ▼aLocke, Alain,▼d1885-1954.▲ |
650 | 0 | ▼aModernism (Art)▲ | |
650 | 0 | ▼aAfrican American aesthetics.▲ | |
710 | 2 | ▼aHutchins Center for African and African American Research.▲ |
Alain Locke and the visual arts
자료유형
국외단행본
서명/책임사항
Alain Locke and the visual arts / Kobena Mercer.
발행사항
New Haven ; London : Yale University Press , [2022]
형태사항
ix, 227 p. : ill. (some col.) ; 26 cm.
일반주기
Published in association with the Hutchins Center for African & African American research, Harvard University.
서지주기
Includes bibliographical references and index.
요약주기
Critic and theorist Alain Locke (1885-1954) was a foundational figure of the Harlem Renaissance who argued that changing self-perceptions among Black artists and writers would alter America's view of itself as a whole. Offering a new interpretation of Locke's influential writings, Kobena Mercer focuses on the importance of cross-cultural entanglement and positions the philosopher as an advocate for an Afromodern aesthetic that drew from both formal experiments in Europe and the iconic legacy of the African past. Mercer considers Locke's understudied 1940 picture book, The Negro in Art, a global history of the Black image, and argues for the significance of Black queer practices within the history of modernism. With this book--a deft blend of philosophy, cultural studies, and art history, enlivened with illustrations by artists including Richmond Barthe, Aaron Douglas, and Lois Mailou Jones-Mercer demonstrates that Locke envisioned modern art as a dynamic space where images and ideas would circulate widely, generating new hybrid forms from the fluid conditions of diaspora.
ISBN
9780300247268 0300247265
청구기호
709.2 M554a
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