소장자료
LDR | 03842cam a2200589Ma 4500 | ||
001 | 0100502232▲ | ||
003 | OCoLC▲ | ||
005 | 20210119134852▲ | ||
006 | m o d ▲ | ||
007 | cr |||||||nn|n▲ | ||
008 | 170803s2017 cc o 000 0 eng d▲ | ||
019 | ▼a1013183191▲ | ||
020 | ▼a9789888390298▼q(electronic bk.)▲ | ||
020 | ▼a9888390295▼q(electronic bk.)▲ | ||
020 | ▼z9789888390571▲ | ||
035 | ▼a(OCoLC)999637222▼z(OCoLC)1013183191▲ | ||
037 | ▼a22573/ctt1rnq1wt▼bJSTOR▲ | ||
040 | ▼aP@U▼beng▼cP@U▼dOCLCO▼dEBLCP▼dJSTOR▼dOCLCF▼dMERUC▼dYDX▼dN$T▼dCSAIL▲ | ||
043 | ▼aa-cc-hk▲ | ||
050 | 4 | ▼aML3502.C58▼bH669 2017▲ | |
072 | 7 | ▼aMUS▼x041000▼2bisacsh▲ | |
082 | 0 | 4 | ▼a781.63095125▼223▲ |
100 | 1 | ▼aZhu, Yaowei,▼d1965-▼eauthor.▲ | |
245 | 1 | 0 | ▼aHong Kong Cantopop▼h[electronic resource] :▼ba concise history /▼cYiu-Wai Chu.▲ |
260 | ▼aHong Kong :▼bHKU Press,▼c[2017]▼e(Baltimore, Md. :▼fProject MUSE,▼g2015)▲ | ||
260 | ▼aBaltimore, Maryland :▼bProject Muse,▼c2017▼e(Baltimore, Md. :▼fProject MUSE,▼g2015)▲ | ||
300 | ▼a1 online resource (1 PDF (ix, 246 pages))▲ | ||
336 | ▼atext▼btxt▼2rdacontent▲ | ||
337 | ▼acomputer▼bc▼2rdamedia▲ | ||
338 | ▼aonline resource▼bcr▼2rdacarrier▲ | ||
500 | ▼aIssued as part of book collections on Project MUSE.▲ | ||
504 | ▼aIncludes bibliographical references (pages [218]-225) and index.▲ | ||
505 | 0 | ▼aIntroduction -- Days of being marginalized : the 1950s to the early 1970s -- The rise of Cantopop : the mid- to late 1970s -- An age of glory : the 1980s -- The best of times, the worst of times : the 1990s -- After the fall : the new millennium -- Epilogue : Cantopop in the age of China -- Appendix. Chronology of major events.▲ | |
520 | ▼aCantopop was once the leading pop genre of pan-Chinese popular music around the world. In this pioneering study of Cantopop in English, Yiu-Wai Chu shows how the rise of Cantopop is related to the emergence of a Hong Kong identity and consciousness. Chu charts the fortune of this important genre of twentieth-century Chinese music from its humble, lower-class origins in the 1950s to its rise to a multimillion-dollar business in the mid-1990s. As the voice of Hong Kong, Cantopop has given generations of people born in the city a sense of belonging. It was only in the late 1990s, when transformations in the music industry, and more importantly, changes in the geopolitical situation of Hong Kong, that Cantopop showed signs of decline. As such, Hong Kong Cantopop: A Concise History is not only a brief history of Cantonese pop songs, but also of Hong Kong culture. The book concludes with a chapter on the eclipse of Cantopop by Mandapop (Mandarin popular music), and an analysis of the relevance of Cantopop to Hong Kong people in the age of a dominant China. Drawing extensively from Chinese-language sources, this work is a most informative introduction to Hong Kong popular music studies.▲ | ||
588 | ▼aDescription based on print version record.▲ | ||
590 | ▼aeBooks on EBSCOhost▼bAll EBSCO eBooks▲ | ||
650 | 0 | ▼aPopular music▼zChina▼zHong Kong▼xHistory and criticism.▲ | |
650 | 7 | ▼aPopular music.▼2fast▼0(OCoLC)fst01071422▲ | |
650 | 7 | ▼aMUSIC / Instruction & Study / Theory.▼2bisacsh▲ | |
651 | 7 | ▼aChina▼zHong Kong.▼2fast▼0(OCoLC)fst01260796▲ | |
655 | 4 | ▼aElectronic books.▲ | |
655 | 7 | ▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635▲ | |
710 | 2 | ▼aProject Muse,▼edistributor.▲ | |
710 | 2 | ▼aProject Muse.▲ | |
776 | 0 | 8 | ▼iPrint version:▼z9789888390571▲ |
830 | 0 | ▼aBook collections on Project MUSE.▲ | |
856 | 4 | 0 | ▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1556101▲ |
938 | ▼aYBP Library Services▼bYANK▼n14274941▲ | ||
938 | ▼aEBL - Ebook Library▼bEBLB▼nEBL4913819▲ | ||
938 | ▼aProject MUSE▼bMUSE▼nmuse60066▲ | ||
938 | ▼aEBSCOhost▼bEBSC▼n1556101▲ |
Hong Kong Cantopop :a concise history
자료유형
국외eBook
서명/책임사항
Hong Kong Cantopop [electronic resource] : a concise history / Yiu-Wai Chu.
개인저자
발행사항
Hong Kong : HKU Press , [2017] Baltimore, Maryland : Project Muse , 2017
형태사항
1 online resource (1 PDF (ix, 246 pages))
일반주기
Issued as part of book collections on Project MUSE.
서지주기
Includes bibliographical references (pages [218]-225) and index.
내용주기
Introduction -- Days of being marginalized : the 1950s to the early 1970s -- The rise of Cantopop : the mid- to late 1970s -- An age of glory : the 1980s -- The best of times, the worst of times : the 1990s -- After the fall : the new millennium -- Epilogue : Cantopop in the age of China -- Appendix. Chronology of major events.
요약주기
Cantopop was once the leading pop genre of pan-Chinese popular music around the world. In this pioneering study of Cantopop in English, Yiu-Wai Chu shows how the rise of Cantopop is related to the emergence of a Hong Kong identity and consciousness. Chu charts the fortune of this important genre of twentieth-century Chinese music from its humble, lower-class origins in the 1950s to its rise to a multimillion-dollar business in the mid-1990s. As the voice of Hong Kong, Cantopop has given generations of people born in the city a sense of belonging. It was only in the late 1990s, when transformations in the music industry, and more importantly, changes in the geopolitical situation of Hong Kong, that Cantopop showed signs of decline. As such, Hong Kong Cantopop: A Concise History is not only a brief history of Cantonese pop songs, but also of Hong Kong culture. The book concludes with a chapter on the eclipse of Cantopop by Mandapop (Mandarin popular music), and an analysis of the relevance of Cantopop to Hong Kong people in the age of a dominant China. Drawing extensively from Chinese-language sources, this work is a most informative introduction to Hong Kong popular music studies.
주제
기타형태저록
ISBN
9789888390298 9888390295
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