소장자료
LDR | 06096cam a2200000 a | ||
001 | 0100724581▲ | ||
005 | 20230918164145▲ | ||
007 | ta ▲ | ||
008 | 230224s2022 nyuab bc 001 0 eng c▲ | ||
010 | ▼a 2023286284▲ | ||
020 | ▼a9781588397263▼q(hbk.)▲ | ||
020 | ▼a1588397262▼q(hbk.)▲ | ||
035 | ▼a(KERIS)REF000020164666▲ | ||
040 | ▼aMZA▼beng▼cMZA▼dMZA▼dOCLCF▼dTOH▼dZLM▼dHLO▼dMNE▼dYDX▼dGZM▼dAVA▼dERASA▼dCRU▼dDLM▼dDLC▼d221016▲ | ||
042 | ▼apcc▲ | ||
043 | ▼an-us-sc▲ | ||
082 | 0 | 4 | ▼a738.0922▼223▲ |
090 | ▼a738.0922▼bH435s▲ | ||
130 | 0 | ▼aHear me now (Metropolitan Museum of Art (New York, N.Y.))▲ | |
245 | 1 | 0 | ▼aHear me now :▼bthe Black potters of Old Edgefield, South Carolina /▼cedited by Adrienne Spinozzi.▲ |
246 | 3 | ▼aBlack potters of Old Edgefield, South Carolina▲ | |
260 | ▼aNew York :▼bThe Metropolitan Museum of Art ;▼aNew Haven ;▼aLondon :▼bYale University Press,▼c[2022].▲ | ||
300 | ▼a199 p. :▼bill. (chiefly col.), maps ;▼c27 cm▲ | ||
500 | ▼a"This catalogue is published in conjunction with Hear Me Now: The Black Potters of Old Edgefield, South Carolina, on view at The Metropolitan Museum of Art, New York, from September 9, 2022, through February 5, 2023; the Museum of Fine Arts, Boston, from March 6 through July 9, 2023; the University of Michigan Museum of Art, Ann Arbor, from August 26, 2023, through January 7, 2024; and the High Museum of Art, Atlanta, from February 16 through May 12, 2024"--Colophon.▲ | ||
504 | ▼aIncludes bibliographical references (p. 188-190) and index.▲ | ||
505 | 0 | 0 | ▼gDirector's foreword --▼gPreface /▼rAdrienne Spinozzi --▼gContributors --▼gLenders to the exhibition --▼gMap of Old Edgefield District pottery sites --▼gNote to the reader --▼tThe art of enslaved labor /▼rVincent Brown --▼tConfronting, collecting, and celebrating Edgefield stoneware /▼rAdrienne Spinozzi --▼tIncidents in the life of an enslaved abolitionist potter written by others /▼rMichael J. Bramwell and Ethan W. Lasser --▼t"But oh the clay is vile" : Edgefield pottery in life and death /▼rJason R. Young --▼tA conversation with Simone Leigh /▼rJason R. Young --▼gPlates --▼gWorks in the exhibition --▼gVerses by Dave --▼gNotes --▼gSelected bibliography --▼gIndex --▼gAcknowledgments --▼gPhotography credits.▲ |
520 | ▼a"Recentering the development of industrially scaled Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century, this catalogue presents groundbreaking scholarship and new perspectives on stoneware made in and around Edgefield, South Carolina. Among the remarkable works included are a selection of regional face vessels as well as masterpieces by enslaved potter and poet David Drake, who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. Essays on the production, collection, dispersal, and reception of stoneware from Edgefield offer a critical look at what it means to collect, exhibit, and interpret objects made by enslaved artisans. Several featured contemporary works inspired by or related to Edgefield stoneware attest to the cultural and historical significance of this body of work, and an interview with acclaimed contemporary artist Simone Leigh illuminates its continued relevance. Adrienne Spinozzi is Associate Curator in the American Wing at The Metropolitan Museum of Art, New York." -- Publisher's description▲ | ||
520 | 8 | ▼aThis in-depth look at the remarkable alkaline-glazed stoneware from Edgefield, South Carolina, recenters the development of Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century. The publication brings together more than 60 rarely seen works, including figural face jugs and slip-decorated pottery by known and unknown makers. Among the most remarkable works featured are masterpieces by David Drake, known as "Dave the Potter," who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. In addition to surfacing new scholarship on the production, collection, dispersal, and cultural significance of stoneware works from Edgefield, this publication also offers a critical examination of what it means to collect, exhibit, and interpret objects made by enslaved artisans. An interview with contemporary artist Simone Leigh, the US representative for the 2022 Venice Biennale, connects Edgefield vessels to present-day conversations about sculpture, identity, and visibility. Exhibition: Metropolitan Museum of Art, New York, USA (09.09.2022-05.02.2023).▲ | |
650 | 0 | ▼aAfrican American potters▼zSouth Carolina▼zEdgefield▼vExhibitions.▲ | |
650 | 0 | ▼aPotters▼zSouth Carolina▼zEdgefield▼vExhibitions.▲ | |
650 | 0 | ▼aStoneware▼zSouth Carolina▼zEdgefield▼xHistory▼y19th century▼vExhibitions.▲ | |
700 | 1 | ▼aSpinozzi, Adrienne.▲ | |
700 | 1 | ▼aBrown, Vincent,▼d1967-▲ | |
700 | 1 | ▼aBramwell, Michael J.▲ | |
700 | 1 | ▼aLasser, Ethan W.▲ | |
700 | 1 | ▼aYoung, Jason R.▲ | |
700 | 1 | ▼aLeigh, Simone.▲ | |
700 | 0 | ▼aDave,▼dactive 1834-1864.▲ | |
710 | 2 | ▼aMetropolitan Museum of Art (New York, N.Y.).▲ | |
710 | 2 | ▼aMuseum of Fine Arts, Boston.▲ | |
710 | 2 | ▼aUniversity of Michigan.▼bMuseum of Art.▲ | |
710 | 2 | ▼aHigh Museum of Art.▲ |
Hear me now : the Black potters of Old Edgefield, South Carolina
자료유형
국외단행본
서명/책임사항
Hear me now : the Black potters of Old Edgefield, South Carolina / edited by Adrienne Spinozzi.
다양한 서명
Black potters of Old Edgefield, South Carolina
통일표제
Hear me now (Metropolitan Museum of Art (New York, N.Y.))
개인저자
단체저자
발행사항
New York : The Metropolitan Museum of Art ; New Haven ; London : Yale University Press , [2022].
형태사항
199 p. : ill. (chiefly col.), maps ; 27 cm
일반주기
"This catalogue is published in conjunction with Hear Me Now: The Black Potters of Old Edgefield, South Carolina, on view at The Metropolitan Museum of Art, New York, from September 9, 2022, through February 5, 2023; the Museum of Fine Arts, Boston, from March 6 through July 9, 2023; the University of Michigan Museum of Art, Ann Arbor, from August 26, 2023, through January 7, 2024; and the High Museum of Art, Atlanta, from February 16 through May 12, 2024"--Colophon.
서지주기
Includes bibliographical references (p. 188-190) and index.
내용주기
Director's foreword -- Preface / Adrienne Spinozzi -- Contributors -- Lenders to the exhibition -- Map of Old Edgefield District pottery sites -- Note to the reader -- The art of enslaved labor / Vincent Brown -- Confronting, collecting, and celebrating Edgefield stoneware / Adrienne Spinozzi -- Incidents in the life of an enslaved abolitionist potter written by others / Michael J. Bramwell and Ethan W. Lasser -- "But oh the clay is vile" : Edgefield pottery in life and death / Jason R. Young -- A conversation with Simone Leigh / Jason R. Young -- Plates -- Works in the exhibition -- Verses by Dave -- Notes -- Selected bibliography -- Index -- Acknowledgments -- Photography credits.
요약주기
"Recentering the development of industrially scaled Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century, this catalogue presents groundbreaking scholarship and new perspectives on stoneware made in and around Edgefield, South Carolina. Among the remarkable works included are a selection of regional face vessels as well as masterpieces by enslaved potter and poet David Drake, who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. Essays on the production, collection, dispersal, and reception of stoneware from Edgefield offer a critical look at what it means to collect, exhibit, and interpret objects made by enslaved artisans. Several featured contemporary works inspired by or related to Edgefield stoneware attest to the cultural and historical significance of this body of work, and an interview with acclaimed contemporary artist Simone Leigh illuminates its continued relevance. Adrienne Spinozzi is Associate Curator in the American Wing at The Metropolitan Museum of Art, New York." -- Publisher's description/This in-depth look at the remarkable alkaline-glazed stoneware from Edgefield, South Carolina, recenters the development of Southern pottery traditions around enslaved and free Black potters working in the mid-nineteenth century. The publication brings together more than 60 rarely seen works, including figural face jugs and slip-decorated pottery by known and unknown makers. Among the most remarkable works featured are masterpieces by David Drake, known as "Dave the Potter," who signed, dated, and incised verses on many of his jars, even though literacy among enslaved people was criminalized at the time. In addition to surfacing new scholarship on the production, collection, dispersal, and cultural significance of stoneware works from Edgefield, this publication also offers a critical examination of what it means to collect, exhibit, and interpret objects made by enslaved artisans. An interview with contemporary artist Simone Leigh, the US representative for the 2022 Venice Biennale, connects Edgefield vessels to present-day conversations about sculpture, identity, and visibility. Exhibition: Metropolitan Museum of Art, New York, USA (09.09.2022-05.02.2023)./
주제
ISBN
9781588397263 1588397262
청구기호
738.0922 H435s
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