소장자료
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001 | 0100501348▲ | ||
003 | OCoLC▲ | ||
005 | 20210119133246▲ | ||
006 | m o d ▲ | ||
007 | cr |n|||||||||▲ | ||
008 | 161004s2016 orua ob 001 0 eng d▲ | ||
019 | ▼a959649488▼a965431343▲ | ||
020 | ▼a9781498223096▼q(electronic bk.)▲ | ||
020 | ▼a1498223095▼q(electronic bk.)▲ | ||
020 | ▼z1498223109 (hardback)▲ | ||
020 | ▼z9781498223102 (hardback)▲ | ||
020 | ▼z9781498223089 (paperback)▲ | ||
020 | ▼z1498223087 (paperback)▲ | ||
035 | ▼a(OCoLC)960832593▼z(OCoLC)959649488▼z(OCoLC)965431343▲ | ||
037 | ▼a4743655▼bProquest Ebook Central▲ | ||
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050 | 4 | ▼aPN1995.5▼b.D68 2016▲ | |
072 | 7 | ▼aPER▼x009000▼2bisacsh▲ | |
082 | 0 | 4 | ▼a791.43/682▼223▲ |
245 | 0 | 0 | ▼aDreams, doubt, and dread :▼bthe spiritual in film /▼cedited by Zachary Settle and Taylor Worley ; foreword by Robert K. Johnston ; afterword by Gregory Alan Thornbury.▲ |
264 | 1 | ▼aEugene, Oregon :▼bCascade Books,▼c[2016]▲ | |
300 | ▼a1 online resource.▲ | ||
336 | ▼atext▼btxt▼2rdacontent▲ | ||
337 | ▼acomputer▼2rdamedia▲ | ||
338 | ▼aonline resource▼2rdacarrier▲ | ||
504 | ▼aIncludes bibliographical references and index.▲ | ||
505 | 0 | 0 | ▼tIntroduction: Thinking how film feels /▼rTaylor Worley and Zachary Thomas Settle --▼tDreams --▼tAll secrets and darkness: the profoundly prophetic witness of David Lynch /▼rby David Dark --▼tLeaving earth to find home /▼rEric Kuiper --▼tThe impossibility of the black hero: James Baldwin and the cinematic /▼rby Zachary Thomas Settle --▼tRoundtable on dreams --▼tDoubt --▼tA cinema of second chances: doubt, realism, and Bergman's "Silence of God" trilogy /▼rMichael Leary --▼tIndispensable doubts, embodied hope: Tarkovsky's Andrei Rublev /▼rJoseph G. Kickasola --▼tBetraying the medium: the doubt in mass appeal /▼rCrystal Downing --▼tRoundtable on doubt --▼tDread --▼tBeyond death?: Alejandro González Iñárritu's grief trilogy --▼tAesthetics of the "made": exuberant authenticity in the films of Wes Anderson /▼rKathryn Reklis --▼tLacanian psychoanalysis and cinematic eschatology: a not-so-theologically-correct meditation on Jeff Nichols's Take shelter /▼rby Carl Raschke --▼tRoundtable on dread.▲ |
520 | ▼aFilms are modern spiritual phenomena. They function as such in at least three profound ways: world projection, thought experiments, and catharsis (i.e., as dreams, doubt, and dread). Understanding film in this way allows for a theological account of the experience that speaks to the religious possibilities of film that far extend the portrayal of religious themes or content. Dreams, Doubt, and Dread: The Spiritual in Film aims to address films as spiritual experiences. This collection of short essays and dialogues examines films phenomenologically--through the experience of the viewer as an agent having been acted upon in the functioning of the film itself. Authors were invited to take one of the main themes and creatively consider how film, in their experiences, has provided opportunities for new modes of thinking. Contributors will then engaged one another in a dialogue about the similarities and differences in their descriptions of film as spiritual phenomena. The intended aim of this text is to shift contemporary theological film engagement away from a simple mode of analysis in which theological concepts are simply read into the film itself and begin to let films speak for themselves as profoundly spiritual experiences.▲ | ||
588 | 0 | ▼aPrint version record.▲ | |
590 | ▼aeBooks on EBSCOhost▼bAll EBSCO eBooks▲ | ||
650 | 0 | ▼aMotion pictures▼xReligious aspects.▲ | |
650 | 7 | ▼aPERFORMING ARTS / Reference▼2bisacsh▲ | |
650 | 7 | ▼aMotion pictures▼xReligious aspects.▼2fast▼0(OCoLC)fst01027371▲ | |
655 | 4 | ▼aElectronic books.▲ | |
700 | 1 | ▼aSettle, Zachary,▼eeditor.▲ | |
700 | 1 | ▼aWorley, Taylor,▼eeditor.▲ | |
700 | 1 | ▼aJohnston, Robert K.,▼d1945-▼ewriter of foreword.▲ | |
700 | 1 | ▼aThornbury, Gregory Alan,▼ewriter of afterword.▲ | |
776 | 0 | 8 | ▼iPrint version:▼z1498223109▼z9781498223102▼z9781498223089▼z1498223087▼w(OCoLC)951646393▲ |
856 | 4 | 0 | ▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1359723▲ |
938 | ▼aYBP Library Services▼bYANK▼n13194253▲ | ||
938 | ▼aEBSCOhost▼bEBSC▼n1359723▲ |
Dreams, doubt, and dread :the spiritual in film
자료유형
국외eBook
서명/책임사항
Dreams, doubt, and dread : the spiritual in film / edited by Zachary Settle and Taylor Worley ; foreword by Robert K. Johnston ; afterword by Gregory Alan Thornbury.
형태사항
1 online resource.
서지주기
Includes bibliographical references and index.
내용주기
Introduction: Thinking how film feels / Taylor Worley and Zachary Thomas Settle -- Dreams -- All secrets and darkness: the profoundly prophetic witness of David Lynch / by David Dark -- Leaving earth to find home / Eric Kuiper -- The impossibility of the black hero: James Baldwin and the cinematic / by Zachary Thomas Settle -- Roundtable on dreams -- Doubt -- A cinema of second chances: doubt, realism, and Bergman's "Silence of God" trilogy / Michael Leary -- Indispensable doubts, embodied hope: Tarkovsky's Andrei Rublev / Joseph G. Kickasola -- Betraying the medium: the doubt in mass appeal / Crystal Downing -- Roundtable on doubt -- Dread -- Beyond death?: Alejandro González Iñárritu's grief trilogy -- Aesthetics of the "made": exuberant authenticity in the films of Wes Anderson / Kathryn Reklis -- Lacanian psychoanalysis and cinematic eschatology: a not-so-theologically-correct meditation on Jeff Nichols's Take shelter / by Carl Raschke -- Roundtable on dread.
요약주기
Films are modern spiritual phenomena. They function as such in at least three profound ways: world projection, thought experiments, and catharsis (i.e., as dreams, doubt, and dread). Understanding film in this way allows for a theological account of the experience that speaks to the religious possibilities of film that far extend the portrayal of religious themes or content. Dreams, Doubt, and Dread: The Spiritual in Film aims to address films as spiritual experiences. This collection of short essays and dialogues examines films phenomenologically--through the experience of the viewer as an agent having been acted upon in the functioning of the film itself. Authors were invited to take one of the main themes and creatively consider how film, in their experiences, has provided opportunities for new modes of thinking. Contributors will then engaged one another in a dialogue about the similarities and differences in their descriptions of film as spiritual phenomena. The intended aim of this text is to shift contemporary theological film engagement away from a simple mode of analysis in which theological concepts are simply read into the film itself and begin to let films speak for themselves as profoundly spiritual experiences.
ISBN
9781498223096 1498223095
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