소장자료
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005 | 20240718105421▲ | ||
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008 | 230315s2023 enkaf b 001 0 eng c▲ | ||
010 | ▼a2023007064▲ | ||
020 | ▼a9781350185241▼q(hbk.)▲ | ||
020 | ▼a9781350418325▼q(pbk.)▲ | ||
020 | ▼z9781350185258▼q(pdf)▲ | ||
020 | ▼z9781350185265▼q(epub)▲ | ||
020 | ▼z9781350185272▲ | ||
035 | ▼a(KERIS)REF000020279748▲ | ||
040 | ▼aDLC▼beng▼cDLC▼dD LC▼d221016▲ | ||
082 | 0 | 4 | ▼a759.0652▼223▲ |
090 | ▼a759.0652▼bS457p▲ | ||
100 | 1 | ▼aSeibert, Elke.▲ | |
245 | 1 | 0 | ▼aPrehistoric pictures and American modernism :▼babstract art at MoMA 1937-1939 /▼cby Elke Seibert.▲ |
260 | ▼aLondon ;▼aNew York :▼bBloomsbury Visual Arts,▼c2023.▲ | ||
300 | ▼axii, 240 p. :▼bill. ;▼c24 cm.▲ | ||
336 | ▼atext▼btxt▼2rdacontent▲ | ||
336 | ▼astill image▼bsti▼2rdacontent▲ | ||
337 | ▼aunmediated▼bn▼2rdamedia▲ | ||
338 | ▼avolume▼bnc▼2rdacarrier▲ | ||
504 | ▼aIncludes bibliographical references (p. 221-236) and index.▲ | ||
505 | 2 | 0 | ▼gPt one: Introduction -- ▼tPt two: Prehistoric artifacts, prints, painted copies, and the genesis of modern art in New York (1937) -- ▼tPt three: The art of copying the past--in transatlantic dialog -- ▼tPt four: Modern American abstract art and reappropriation of prehistoric rock paintings -- ▼gPt five: Conclusion.▲ |
520 | ▼a"In April 1937, the Museum of Modern Art in New York hosted an exhibition that served as a catalyst for the appropriation of prehistoric rock art in postwar abstract painting. With the title "Prehistoric Rock Pictures in Europe and Africa", it displayed a range of copies from the influential collection of the German ethnologist Leo Frobenius. Largely disregarded in modern American art history up until now, this book highlights the importance of this exhibition to artists such as Josef Albers, Adolph Gottlieb, David Smith, and The American Abstracts Artists group, who sought inspiration from the prehistoric images' primordial creativity. With a transnational scope, the book brings to the surface new facts about the transatlantic connections between Paris and New York and the importance of communication and collaboration between them. In doing so, Seibert reveals that this debate was about more than just legitimizing abstract art forms from the past, but about recognizing an autonomous American abstract art. Presenting unseen archival material, letters, and exhibition documentation, Prehistoric Pictures and American Modernism offers a new reading of the development of modern American abstraction, and will hold an important place in the historiography of the movement, its global traditions, and its legacy"--Provided by publisher.▲ | ||
650 | 0 | ▼aPainting, Abstract▼zUnited States.▲ | |
650 | 0 | ▼aPainting, American▼y20th century.▲ | |
650 | 0 | ▼aArt, Prehistoric▼xInfluences.▲ |
Prehistoric pictures and American modernism : abstract art at MoMA 1937-1939
자료유형
국외단행본
서명/책임사항
Prehistoric pictures and American modernism : abstract art at MoMA 1937-1939 / by Elke Seibert.
개인저자
발행사항
London ; New York : Bloomsbury Visual Arts , 2023.
형태사항
xii, 240 p. : ill. ; 24 cm.
서지주기
Includes bibliographical references (p. 221-236) and index.
내용주기
Pt one: Introduction -- Pt two: Prehistoric artifacts, prints, painted copies, and the genesis of modern art in New York (1937) -- Pt three: The art of copying the past--in transatlantic dialog -- Pt four: Modern American abstract art and reappropriation of prehistoric rock paintings -- Pt five: Conclusion.
요약주기
"In April 1937, the Museum of Modern Art in New York hosted an exhibition that served as a catalyst for the appropriation of prehistoric rock art in postwar abstract painting. With the title "Prehistoric Rock Pictures in Europe and Africa", it displayed a range of copies from the influential collection of the German ethnologist Leo Frobenius. Largely disregarded in modern American art history up until now, this book highlights the importance of this exhibition to artists such as Josef Albers, Adolph Gottlieb, David Smith, and The American Abstracts Artists group, who sought inspiration from the prehistoric images' primordial creativity. With a transnational scope, the book brings to the surface new facts about the transatlantic connections between Paris and New York and the importance of communication and collaboration between them. In doing so, Seibert reveals that this debate was about more than just legitimizing abstract art forms from the past, but about recognizing an autonomous American abstract art. Presenting unseen archival material, letters, and exhibition documentation, Prehistoric Pictures and American Modernism offers a new reading of the development of modern American abstraction, and will hold an important place in the historiography of the movement, its global traditions, and its legacy"--Provided by publisher.
ISBN
9781350185241 9781350418325
청구기호
759.0652 S457p
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