소장자료
LDR | 04263cam a2200277ia 4500 | ||
001 | 0092041710▲ | ||
003 | OCoLC▲ | ||
005 | 20180519124114▲ | ||
008 | 111109s2012 enka b 001 0 eng d▲ | ||
020 | ▼a9781841504896 (pbk.)▲ | ||
020 | ▼a1841504890 (pbk.)▲ | ||
029 | 1 | ▼aAU@▼b000049068419▲ | |
035 | ▼a(OCoLC)760972970▲ | ||
040 | ▼aBTCTA▼beng▼cBTCTA▼dYDXCP▼dU2C▼dCDX▼dBDX▼dBWX▼dTXA▼dFDA▲ | ||
050 | 4 | ▼aNX456.5.P38▼bP47 2012▲ | |
082 | 0 | 4 | ▼a709.040755▼221▲ |
090 | ▼a709.040755▼bP438j▲ | ||
245 | 0 | 0 | ▼aPerform, repeat, record :▼blive art in history /▼cedited by Amelia Jones and Adrian Heathfield.▲ |
260 | ▼aBristol ;▼aChicago :▼bIntellect,▼c2012.▲ | ||
300 | ▼a652 p. :▼bill. (some col.) ;▼c23 cm.▲ | ||
504 | ▼aIncludes bibliographical references and index.▲ | ||
505 | 0 | 0 | ▼tThe now and the has been :▼tparadoxes of live art in history /▼rAmelia Jones --▼tThen again /▼rAdrian Heathfield --▼tThe performativity of performance documentation /▼rPhilip Auslander --▼tDead mannequin walking :▼tFluxus and the politics of reception /▼rHannah B. Higgins --▼tThe viral ontology of performance /▼rChristopher Bedford --▼tCan photographs make it so? :▼trepeated outbreaks of Valie Export's Genital panic since 1969 /▼rMechtild Widrich --▼tMacular degeneration :▼tsome peculiar aspects of performance art documentation /▼rMo?nica Mayer --▼tHistory and precariousness :▼tin search of a performative historiography /▼rEleanora Fabia?o --▼tPerformance remains /▼rRebecca Schneider --▼tNot as before, but simply :▼tagain /▼rAndre? Lepecki --▼tThe prosthetic present tense :▼tdocumenting Chinese time-based art /▼rMeiling Cheng --▼tProgressive striptease /▼rSven Lu?tticken --▼tRepetition :▼ta skin which unravels /▼rJane Blocker --▼tArt in the age of biopolitics :▼tfrom artwork to art documentation /▼rBoris Groys --▼tThe interstices of history /▼rAngela Harutyunyan ... [et al.] --▼tAn unofficial timeline of socialist and post-socialist performance /▼rAngela Harutyunyan ... [et al.] --▼tA text on 20 years with 66 footnotes /▼rTim Etchells --▼tFaith Wilding, waiting and wait-with --▼tLynn Hershman and/as Roberta Breitmore --▼tWe are formatted memories /▼rOrlan --▼tFranko B and Kamal Ackarie, don't leave me this way --▼tMake me stop smoking /▼rRabih Mroue? --▼tThe personal evolution of the performance object (or, what to do with leftovers) /▼rNao Bustamante --▼tCai Yuan and J.J. Xi, mad for real --▼tHayley Newman, miniflux --▼tDaniel Joseph Martinez, call me Ishmael or the fully enlightened earth radiates disaster triumphant --▼tMultiple journeys :▼ta performance chronology /▼rGuillermo Go?mez-Pen?a --▼tAttending to Anthony McCall's long film for ambient light /▼rLucas Ihlein --▼tReCut project /▼rMing-Yuen S. Ma --▼tAssuming a migrant woman's identity /▼rTanja Ostojic? --▼tBarbara Smith, intimations of immortality --▼tSantiago Serra and the "contexts" of history --▼tReconstruction2 /▼rJanez Jans?a --▼tDocuments of Chinese time-based art :▼tthree impressions from three fragments /▼rMeiling Cheng --▼tBoth sitting duet and cheap lecture /▼rJonathan Burrows and Matteo Fargion --▼tAftermath :▼tthe performance/installation nexus /▼rBlair French --▼tTimeline of ideas :▼tlive art in (art) history, a primarily European-US-based trajectory of debates and exhibitions relating to performance documentation and re-enactments /▼rAmelia Jones --▼tInterior squirrel and the vicissitudes of history /▼rCarolee Schneemann and Amelia Jones --▼tI just go in life /▼rTehching Hsieh and Adrian Heathfield --▼tThe maybe :▼tmodes of performance and the "live" /▼rTilda Swinton and Joanna Scanlan --▼tPhotography as a performative act /▼rShezad Dawood and Amelia Jones --▼tDo it again, do it again (turn around, go back) /▼rIain Forsyth and Jane Pollard, with Andrew Renton --▼tTouching remains /▼rJanine Antoni and Adrian Heathfield --▼tPerverse martyrologies /▼rRon Athey and Dominic Johnson --▼tThe live artist as archaeologist /▼rMarina Abramovic? and Amelia Jones --▼tEvery house has a door /▼rLin Hixson and Matthew Goulish --▼tAlliterations /▼rMathilde Monnier and Jean-Luc Nancy --▼tIntangibles /▼rHugo Glendinning, Adrian Heathfield, and Tim Etchells.▲ |
650 | 0 | ▼aPerformance art▼xHistory.▲ | |
700 | 1 | ▼aJones, Amelia.▲ | |
700 | 1 | ▼aHeathfield, Adrian.▲ | |
999 | ▼c정영주▲ |
Perform, repeat, record :live art in history
자료유형
국외단행본
서명/책임사항
Perform, repeat, record : live art in history / edited by Amelia Jones and Adrian Heathfield.
발행사항
Bristol ; Chicago : Intellect , 2012.
형태사항
652 p. : ill. (some col.) ; 23 cm.
서지주기
Includes bibliographical references and index.
내용주기
The now and the has been : paradoxes of live art in history / Amelia Jones -- Then again / Adrian Heathfield -- The performativity of performance documentation / Philip Auslander -- Dead mannequin walking : Fluxus and the politics of reception / Hannah B. Higgins -- The viral ontology of performance / Christopher Bedford -- Can photographs make it so? : repeated outbreaks of Valie Export's Genital panic since 1969 / Mechtild Widrich -- Macular degeneration : some peculiar aspects of performance art documentation / Mo?nica Mayer -- History and precariousness : in search of a performative historiography / Eleanora Fabia?o -- Performance remains / Rebecca Schneider -- Not as before, but simply : again / Andre? Lepecki -- The prosthetic present tense : documenting Chinese time-based art / Meiling Cheng -- Progressive striptease / Sven Lu?tticken -- Repetition : a skin which unravels / Jane Blocker -- Art in the age of biopolitics : from artwork to art documentation / Boris Groys -- The interstices of history / Angela Harutyunyan ... [et al.] -- An unofficial timeline of socialist and post-socialist performance / Angela Harutyunyan ... [et al.] -- A text on 20 years with 66 footnotes / Tim Etchells -- Faith Wilding, waiting and wait-with -- Lynn Hershman and/as Roberta Breitmore -- We are formatted memories / Orlan -- Franko B and Kamal Ackarie, don't leave me this way -- Make me stop smoking / Rabih Mroue? -- The personal evolution of the performance object (or, what to do with leftovers) / Nao Bustamante -- Cai Yuan and J.J. Xi, mad for real -- Hayley Newman, miniflux -- Daniel Joseph Martinez, call me Ishmael or the fully enlightened earth radiates disaster triumphant -- Multiple journeys : a performance chronology / Guillermo Go?mez-Pen?a -- Attending to Anthony McCall's long film for ambient light / Lucas Ihlein -- ReCut project / Ming-Yuen S. Ma -- Assuming a migrant woman's identity / Tanja Ostojic? -- Barbara Smith, intimations of immortality -- Santiago Serra and the "contexts" of history -- Reconstruction2 / Janez Jans?a -- Documents of Chinese time-based art : three impressions from three fragments / Meiling Cheng -- Both sitting duet and cheap lecture / Jonathan Burrows and Matteo Fargion -- Aftermath : the performance/installation nexus / Blair French -- Timeline of ideas : live art in (art) history, a primarily European-US-based trajectory of debates and exhibitions relating to performance documentation and re-enactments / Amelia Jones -- Interior squirrel and the vicissitudes of history / Carolee Schneemann and Amelia Jones -- I just go in life / Tehching Hsieh and Adrian Heathfield -- The maybe : modes of performance and the "live" / Tilda Swinton and Joanna Scanlan -- Photography as a performative act / Shezad Dawood and Amelia Jones -- Do it again, do it again (turn around, go back) / Iain Forsyth and Jane Pollard, with Andrew Renton -- Touching remains / Janine Antoni and Adrian Heathfield -- Perverse martyrologies / Ron Athey and Dominic Johnson -- The live artist as archaeologist / Marina Abramovic? and Amelia Jones -- Every house has a door / Lin Hixson and Matthew Goulish -- Alliterations / Mathilde Monnier and Jean-Luc Nancy -- Intangibles / Hugo Glendinning, Adrian Heathfield, and Tim Etchells.
ISBN
9781841504896 (pbk.) 1841504890 (pbk.)
청구기호
709.040755 P438j
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