소장자료
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003 | OCoLC▲ | ||
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008 | 161004s2017 nyu ob 001 0 eng ▲ | ||
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020 | ▼a9781501325762▼q(electronic bk.)▲ | ||
020 | ▼a1501325760▼q(electronic bk.)▲ | ||
020 | ▼z9781501325779▲ | ||
020 | ▼z1501325779▲ | ||
020 | ▼z9781501325755▼q(hardback ;▼qalk. paper)▲ | ||
020 | ▼z1501325752▲ | ||
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100 | 1 | ▼aBoylan, Alexis L.,▼eauthor.▲ | |
245 | 1 | 0 | ▼aAshcan art, whiteness, and the unspectacular man /▼cAlexis Boylan.▲ |
263 | ▼a1704▲ | ||
264 | 1 | ▼aNew York :▼bBloomsbury Academic,▼c2017.▲ | |
300 | ▼a1 online resource▲ | ||
336 | ▼atext▼btxt▼2rdacontent▲ | ||
337 | ▼acomputer▼bn▼2rdamedia▲ | ||
338 | ▼aonline resource▼bnc▼2rdacarrier▲ | ||
504 | ▼aIncludes bibliographical references and index.▲ | ||
505 | 0 | ▼aWhat are you looking at? Bodies, desire, and portraits -- Working hard or hardly working? Labor, race, and manhood -- Sex sells: Desire, money, and male bodies -- Men seeking men.▲ | |
520 | 8 | ▼aArriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States.▲ | |
588 | 0 | ▼aPrint version record and CIP data provided by publisher; resource not viewed.▲ | |
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650 | 0 | ▼aMasculinity in art.▲ | |
650 | 0 | ▼aAshcan school of art.▲ | |
650 | 0 | ▼aPainting, American▼y19th century▼xThemes, motives.▲ | |
650 | 0 | ▼aPainting, American▼y20th century▼xThemes, motives.▲ | |
650 | 0 | ▼aArt and society▼zUnited States▼xHistory▼y19th century.▲ | |
650 | 0 | ▼aArt and society▼zUnited States▼xHistory▼y20th century.▲ | |
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650 | 7 | ▼aArt and society.▼2fast▼0(OCoLC)fst00815432▲ | |
650 | 7 | ▼aAshcan school of art.▼2fast▼0(OCoLC)fst00818531▲ | |
650 | 7 | ▼aMasculinity in art.▼2fast▼0(OCoLC)fst01011039▲ | |
650 | 7 | ▼aPainting, American▼xThemes, motives.▼2fast▼0(OCoLC)fst01050660▲ | |
651 | 7 | ▼aUnited States.▼2fast▼0(OCoLC)fst01204155▲ | |
655 | 4 | ▼aElectronic books.▲ | |
655 | 7 | ▼aHistory.▼2fast▼0(OCoLC)fst01411628▲ | |
776 | 0 | 8 | ▼iPrint version:▼aBoylan, Alexis L.▼tAshcan art, whiteness, and the unspectacular man.▼dNew York : Bloomsbury Academic, 2017▼z9781501325755▼w(DLC) 2016045135▲ |
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Ashcan art, whiteness, and the unspectacular man
자료유형
국외eBook
서명/책임사항
Ashcan art, whiteness, and the unspectacular man / Alexis Boylan.
형태사항
1 online resource
서지주기
Includes bibliographical references and index.
내용주기
What are you looking at? Bodies, desire, and portraits -- Working hard or hardly working? Labor, race, and manhood -- Sex sells: Desire, money, and male bodies -- Men seeking men.
요약주기
Arriving in New York City in the first decade of the twentieth century, six painters - Robert Henri, John Sloan, Everett Shinn, Glackens, George Luks, and George Bellows, subsequently known as the Ashcan Circle -f aced a visual culture that depicted the urban man as a diseased body under assault. Ashcan artists countered this narrative, manipulating the bodies of construction workers, tramps, entertainers, and office workers to stand in visual opposition to popular, political, and commercial cultures. They did so by repeatedly positioning white male bodies as having no cleverness, no moral authority, no style, and no particular charisma, crafting with consistency an unspectacular man. This was an attempt, both radical and deeply insidious, to make the white male body stand outside visual systems of knowledge, to resist the disciplining powers of commercial capitalism, and to simply be with no justification or rationale. Ashcan artists reconfigured urban masculinity for national audiences and reimagined the possibility and privilege of the unremarkable white, male body thus shaping dialogues about modernity, gender, and race that shifted visual culture in the United States.
주제
Masculinity in art.
Ashcan school of art.
Painting, American, 19th century, Themes, motives.
Painting, American, 20th century, Themes, motives.
Art and society, United States, History, 19th century.
Art and society, United States, History, 20th century.
ART, Performance.
ART, Reference.
Art and society.
Ashcan school of art.
Masculinity in art.
Painting, American, Themes, motives.
United States.
Ashcan school of art.
Painting, American, 19th century, Themes, motives.
Painting, American, 20th century, Themes, motives.
Art and society, United States, History, 19th century.
Art and society, United States, History, 20th century.
ART, Performance.
ART, Reference.
Art and society.
Ashcan school of art.
Masculinity in art.
Painting, American, Themes, motives.
United States.
기타형태저록
ISBN
9781501325762 1501325760
북토크
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