소장자료
LDR | 03453cam a2200000 a | ||
001 | 0100523639▲ | ||
003 | OCoLC▲ | ||
005 | 20210831110426▲ | ||
007 | ta ▲ | ||
008 | 200109s2020 nyua b 001 0 eng c▲ | ||
020 | ▼a9780231186940 (hbk.)▲ | ||
020 | ▼a0231186940 (hbk.)▲ | ||
020 | ▼a9780231186957 (pbk.)▲ | ||
020 | ▼a0231186959 (pbk.)▲ | ||
020 | ▼z9780231546911 (ebk.)▲ | ||
035 | ▼a(OCoLC)1130663365▼z(OCoLC)1130710379▲ | ||
040 | ▼aDLC▼beng▼cDLC▼dOCLCO▼dYDX▼dYDX▼dOCLCO▼dGZN▼dCHVBK▼dOCLCO▼dOCLCA▼dVVPCS▼d221016▲ | ||
082 | 0 | 0 | ▼a700.285▼223▲ |
090 | ▼a700.285▼bG624d▲ | ||
100 | 1 | ▼aGoldsmith, Kenneth.▲ | |
245 | 1 | 0 | ▼aDuchamp is my lawyer :▼bthe polemics, pragmatics, and poetics of UbuWeb /▼cKenneth Goldsmith.▲ |
260 | ▼aNew York :▼bColumbia University Press, ▼c[2020]▲ | ||
300 | ▼ax,318 p. :▼bill. ;▼c23 cm.▲ | ||
504 | ▼aIncludes bibliographical references (pages 281-296) and index.▲ | ||
505 | 0 | 0 | ▼tPart I: Polemics -▼tPart II: Pragmatics --▼tFolk law --▼tFrom Panorama to postage stamp: avant-garde cinema and the internet --▼tThe work of video art in the age of digital reproduction --▼tShadow libraries and preserving the memory of the world --▼tPart III: Poetics --▼tDirty concrete --▼tFrom Ursonate to Re-sonate --▼tPeople like us --▼tAspen: a "multimedia magazine in a box" --▼tStreet poets and visionaries --▼tAn anthology of anthologies --▼tCoda: the ghost in the algorithm --▼tAppendix: 101 things on UbuWeb that you don't know about but should.▲ |
520 | ▼a"In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard. In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other "shadow libraries" and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb's commitment to the free-culture movement and giving access to a wide range of artistic works with today's gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify"--▼cProvided by publisher.▲ | ||
650 | 0 | ▼aArts▼xExperimental methods▼xComputer network resources.▲ |
Duchamp is my lawyer :the polemics, pragmatics, and poetics of UbuWeb
자료유형
국외단행본
서명/책임사항
Duchamp is my lawyer : the polemics, pragmatics, and poetics of UbuWeb / Kenneth Goldsmith.
발행사항
New York : Columbia University Press , [2020]
형태사항
x,318 p. : ill. ; 23 cm.
서지주기
Includes bibliographical references (pages 281-296) and index.
내용주기
Part I: Polemics - Part II: Pragmatics -- Folk law -- From Panorama to postage stamp: avant-garde cinema and the internet -- The work of video art in the age of digital reproduction -- Shadow libraries and preserving the memory of the world -- Part III: Poetics -- Dirty concrete -- From Ursonate to Re-sonate -- People like us -- Aspen: a "multimedia magazine in a box" -- Street poets and visionaries -- An anthology of anthologies -- Coda: the ghost in the algorithm -- Appendix: 101 things on UbuWeb that you don't know about but should.
요약주기
"In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard. In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other "shadow libraries" and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb's commitment to the free-culture movement and giving access to a wide range of artistic works with today's gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify"-- Provided by publisher.
ISBN
9780231186940 (hbk.) 0231186940 (hbk.) 9780231186957 (pbk.) 0231186959 (pbk.)
청구기호
700.285 G624d
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