소장자료
LDR | 04918cam a2200697 i 4500 | ||
001 | 0100776131▲ | ||
003 | OCoLC▲ | ||
005 | 20231018161238▲ | ||
006 | m d ▲ | ||
007 | cr |n|||||||||▲ | ||
008 | 200528t20202020maua ob 001 0 eng d▲ | ||
010 | ▼a 2019043563▲ | ||
019 | ▼a1156025224▼a1175635051▼a1226413151▲ | ||
020 | ▼a9780674250925▼q(PDF)▲ | ||
020 | ▼a0674250923▼q(PDF)▲ | ||
020 | ▼a9780674250901▼q(EPUB)▲ | ||
020 | ▼a0674250907▼q(EPUB)▲ | ||
020 | ▼z9780674919228▼q(hardcover)▲ | ||
035 | ▼a2483519▼b(N$T)▲ | ||
035 | ▼a(OCoLC)1155709029▼z(OCoLC)1156025224▼z(OCoLC)1175635051▼z(OCoLC)1226413151▲ | ||
037 | ▼a22573/ctv11wfgtq▼bJSTOR▲ | ||
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043 | ▼an-us---▲ | ||
046 | ▼k2020▼2edtf▲ | ||
049 | ▼aMAIN▲ | ||
050 | 4 | ▼aN8356.P75▼bF54 2020eb▲ | |
082 | 0 | 4 | ▼a704/.0869270973▼223▲ |
100 | 1 | ▼aFleetwood, Nicole R.,▼eauthor.▲ | |
245 | 1 | 0 | ▼aMarking time▼h[electronic resource] :▼bart in the age of mass incarceration /▼cNicole R. Fleetwood.▲ |
246 | 3 | 0 | ▼aArt in the age of mass incarceration▲ |
264 | 1 | ▼aCambridge, Massachusetts :▼bHarvard University Press,▼c2020.▲ | |
264 | 4 | ▼c©2020▲ | |
300 | ▼a1 online resource (xxiv, 323 pages) :▼billustrations▲ | ||
336 | ▼atext▼btxt▼2rdacontent▲ | ||
336 | ▼astill image▼bsti▼2rdacontent▲ | ||
337 | ▼acomputer▼2rdamedia▲ | ||
338 | ▼aonline resource▼2rdacarrier▲ | ||
386 | ▼nnat▼aAmericans▼2lcdgt▲ | ||
386 | ▼ngdr▼aWomen▼2lcdgt▲ | ||
504 | ▼aIncludes bibliographical references and index.▲ | ||
505 | 0 | ▼aCarceral aesthetics : penal space, time, and matter -- State goods : clandestine practices and prison art collectives -- Captured by the frame : photographic studies of prisoners -- Interior subjects : portraits by incarcerated ̜̜artists -- Fraught imaginaries : collaborative art in prison -- Resisting isolation : art in solitary confinement -- Posing in prison : family photographs, practices of belonging, and carceral landscapes.▲ | |
520 | ▼a"More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions--including solitary confinement--these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to reform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century"--▼cProvided by publisher.▲ | ||
545 | 0 | ▼aNicole R. Fleetwood is Professor of American Studies and Art History at Rutgers University. Her work on art and mass incarceration has been featured at the Aperture Foundation and the Zimmerli Museum of Art and her exhibitions have been praised by The Nation, the New York Times, The New Yorker, and the Village Voice. She is the author of On Racial Icons and the prizewinning Troubling Vision.▲ | |
588 | 0 | ▼aPrint version record.▲ | |
590 | ▼aMaster record variable field(s) change: 650▲ | ||
610 | 2 | 7 | ▼aUniversity of South Alabama▼2gnd▲ |
630 | 0 | 7 | ▼aArt▼f2008▼2gnd▲ |
650 | 0 | ▼aPrisoners as artists▼zUnited States.▲ | |
650 | 0 | ▼aArts in prisons▼zUnited States.▲ | |
650 | 0 | ▼aArt, American▼xPolitical aspects.▲ | |
650 | 0 | ▼aImprisonment▼xSocial aspects▼zUnited States.▲ | |
650 | 7 | ▼aART / Art & Politics.▼2bisacsh▲ | |
650 | 7 | ▼a20.10 art and society: general.▼0(NL-LeOCL)07759374X▼2bcl▲ | |
650 | 7 | ▼aGefängnis▼2gnd▲ | |
650 | 7 | ▼aGefangener▼2gnd▲ | |
650 | 7 | ▼aStrafgefangener▼2gnd▲ | |
655 | 4 | ▼aElectronic books.▲ | |
776 | 0 | 8 | ▼iPrint version:▼aFleetwood, Nicole R.▼tMarking time.▼dCambridge, Massachusetts : Harvard University Press, 2020▼z9780674919228▼w(DLC) 2019043563▼w(OCoLC)1119779277▲ |
856 | 4 | 0 | ▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2483519▲ |
Marking time[electronic resource] : art in the age of mass incarceration
자료유형
국외eBook
서명/책임사항
Marking time [electronic resource] : art in the age of mass incarceration / Nicole R. Fleetwood.
다양한 서명
Art in the age of mass incarceration
형태사항
1 online resource (xxiv, 323 pages) : illustrations
서지주기
Includes bibliographical references and index.
내용주기
Carceral aesthetics : penal space, time, and matter -- State goods : clandestine practices and prison art collectives -- Captured by the frame : photographic studies of prisoners -- Interior subjects : portraits by incarcerated ̜̜artists -- Fraught imaginaries : collaborative art in prison -- Resisting isolation : art in solitary confinement -- Posing in prison : family photographs, practices of belonging, and carceral landscapes.
요약주기
"More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions--including solitary confinement--these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to reform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century"-- Provided by publisher.
주제
기타형태저록
ISBN
9780674250925 0674250923 9780674250901 0674250907
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