소장자료
LDR | 05353cam a2200000 a | ||
001 | 0100808693▲ | ||
005 | 20240530135013▲ | ||
007 | ta ▲ | ||
008 | 230608s2023 enkag b 001 0 eng c▲ | ||
010 | ▼a2023940304▲ | ||
015 | ▼aGBC3F4428▼2bnb▲ | ||
020 | ▼a1509949380▼q(hbk.)▲ | ||
020 | ▼a9781509949380▼q(hbk.)▲ | ||
035 | ▼a(KERIS)REF000020477095▲ | ||
040 | ▼aYDX▼beng▼cYDX▼dUKMGB▼dOCLCO▼dOCLCF▼dOCLCO▼dYDX▼dOCLCQ▼dUBY▼dWLL▼dUOL▼dDLC▼d221016▲ | ||
082 | 0 | 4 | ▼a346.0482▼223▲ |
090 | ▼a346.0482▼bM987b▲ | ||
245 | 0 | 0 | ▼aMusic borrowing and copyright law :▼ba genre-by-genre analysis /▼cedited by Enrico Bonadio and Chen Wei Zhu.▲ |
260 | ▼aOxford, UK ;▼aNew York, NY :▼bHart Publishing,▼c2023.▲ | ||
300 | ▼axviii, 464 p. :▼bill., music ;▼c25 cm.▲ | ||
336 | ▼atext▼2rdacontent▲ | ||
336 | ▼astill image▼bsti▼2rdacontent▲ | ||
336 | ▼anotated music▼bntm▼2rdacontent▲ | ||
337 | ▼aunmediated▼2rdamedia▲ | ||
338 | ▼avolume▼2rdacarrier▲ | ||
504 | ▼aIncludes bibliographical references and index.▲ | ||
505 | 0 | 0 | ▼gPart I:▼tMusic genres, borrowing and copyright. Defining music genres : critical issues with music taxonomies /▼rFranco Fabbri --▼tA brief history and typology of musical borrowing and reworking /▼rJ Peter Burkholder --▼tLitigating musical universals and particulars : copyright law's ontological struggle with music borrowing /▼rChen Wei Zhu --▼tWe can work it out : methods in forensic musicology /▼rJoe Bennett --▼tForensic musicology in action : a personal perspective /▼rGuy Protheroe --▼tBorrowing from traditional culture : ownership and commodification of traditional music from a cultural custodianship perspective /▼rAnthony CK Kakooza --▼gPart II:▼tAnalysing music genres and their relationship with copyright.▼gSection A: General.▼tPop and the musical unconscious /▼rJose Bellido --▼t'Do the right thing' or 'fight the power' : hip-hop music, sampling and copyright law /▼rJoyce Lee and Marc Mimler --▼tUnderstanding the creative processes, musical borrowing and copyright protection of the electronic dance music industry /▼rNicola Lucchi --▼tHow jazz persists at the periphery of copyright /▼rKatherine M Leo --▼tConfronting an extractive raciliased genre system : black lives matter, royalty recovery and musical reparations /▼rOlufunmilayo B Arewa and Matt Stahl --▼t'Not like pyrates' : borrowing, copyright and creativity in the eighteenth century /▼rAnn van Allen-Russell --▼gSection B: Americas.▼tRemix, reuse and reggae : creativity and copyright in Jamaican music /▼rEnrico Bonadio and Bryan Khan --▼tRhythm and melody sans humanité : copyright and the development of calypso music /▼rBryan Khan --▼tPholourie bina chutney : copyright and cultural identity in Indo-Caribbean music /▼rBryan Khan --▼tRiver Plate tango : appropriation, borrowing and innovation /▼rMaximiliano Marzetti --▼gSection C: Europe.▼tOwnership as sharing : the practices of Irish folk music /▼rLuke McDonagh --▼tHungarian musical heritage goes viral - Hungarian folk music from a copyright perspective /▼rPéter Mezei and Gergely Békés --▼tFlamenco music, borrowing practices and the limits of copyright /▼rAntoni Rubí-Puig --▼tCanzone napoletana, chanson française and southern Italian folk music : who took from whom? /▼rGiovanni Maria Riccio --▼tGreek traditional music : creativity, copyright and the commons /▼rStavroula Karapapa --▼gSection D: Africa and Middle East.▼tIsraeli music genres : appropriation and borrowing as a tool for national and cultural emergence and structuring /▼rOmri Rachum-Twaig --▼tFeel the Benga beat : music borrowing and copyright law in Kenya /▼rMarisella N Ouma --▼tThe many facets of borrowing and creativity in South African music /▼rTobias Schonwetter and Bram Van Wiele --▼gSection E: Asia and Oceania.▼tHistory, functionality and dignity : traditional Chinese music borrowing and copyright protection in China /▼rTianxiang He and Jing Li --▼tMusic borrowing in the history of Japanese music /▼rRyu Kojima --▼tCreation and the dreamtime : Indigenous music in Australia /▼rMichael Blakeney --▼tE tu, stand up : copyright and Maori music /▼rJonathan Barrett▲ |
520 | ▼a"This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Australian indigenous music, Maori music and many others." --back cover.▲ | ||
650 | 0 | ▼aCopyright▼xMusic▼zGreat Britain.▲ | |
650 | 0 | ▼aAllusions in music.▲ | |
650 | 0 | ▼aQuotation in music.▲ | |
700 | 1 | ▼aBonadio, Enrico.▲ | |
700 | 1 | ▼aZhu, Chen Wei.▲ |
Music borrowing and copyright law : a genre-by-genre analysis
자료유형
국외단행본
서명/책임사항
Music borrowing and copyright law : a genre-by-genre analysis / edited by Enrico Bonadio and Chen Wei Zhu.
발행사항
Oxford, UK ; New York, NY : Hart Publishing , 2023.
형태사항
xviii, 464 p. : ill., music ; 25 cm.
서지주기
Includes bibliographical references and index.
내용주기
Part I : Music genres, borrowing and copyright. Defining music genres : critical issues with music taxonomies / Franco Fabbri -- A brief history and typology of musical borrowing and reworking / J Peter Burkholder -- Litigating musical universals and particulars : copyright law's ontological struggle with music borrowing / Chen Wei Zhu -- We can work it out : methods in forensic musicology / Joe Bennett -- Forensic musicology in action : a personal perspective / Guy Protheroe -- Borrowing from traditional culture : ownership and commodification of traditional music from a cultural custodianship perspective / Anthony CK Kakooza -- Part II : Analysing music genres and their relationship with copyright. Section A: General. Pop and the musical unconscious / Jose Bellido -- 'Do the right thing' or 'fight the power' : hip-hop music, sampling and copyright law / Joyce Lee and Marc Mimler -- Understanding the creative processes, musical borrowing and copyright protection of the electronic dance music industry / Nicola Lucchi -- How jazz persists at the periphery of copyright / Katherine M Leo -- Confronting an extractive raciliased genre system : black lives matter, royalty recovery and musical reparations / Olufunmilayo B Arewa and Matt Stahl -- 'Not like pyrates' : borrowing, copyright and creativity in the eighteenth century / Ann van Allen-Russell -- Section B: Americas. Remix, reuse and reggae : creativity and copyright in Jamaican music / Enrico Bonadio and Bryan Khan -- Rhythm and melody sans humanité : copyright and the development of calypso music / Bryan Khan -- Pholourie bina chutney : copyright and cultural identity in Indo-Caribbean music / Bryan Khan -- River Plate tango : appropriation, borrowing and innovation / Maximiliano Marzetti -- Section C: Europe. Ownership as sharing : the practices of Irish folk music / Luke McDonagh -- Hungarian musical heritage goes viral - Hungarian folk music from a copyright perspective / Péter Mezei and Gergely Békés -- Flamenco music, borrowing practices and the limits of copyright / Antoni Rubí-Puig -- Canzone napoletana, chanson française and southern Italian folk music : who took from whom? / Giovanni Maria Riccio -- Greek traditional music : creativity, copyright and the commons / Stavroula Karapapa -- Section D: Africa and Middle East. Israeli music genres : appropriation and borrowing as a tool for national and cultural emergence and structuring / Omri Rachum-Twaig -- Feel the Benga beat : music borrowing and copyright law in Kenya / Marisella N Ouma -- The many facets of borrowing and creativity in South African music / Tobias Schonwetter and Bram Van Wiele -- Section E: Asia and Oceania. History, functionality and dignity : traditional Chinese music borrowing and copyright protection in China / Tianxiang He and Jing Li -- Music borrowing in the history of Japanese music / Ryu Kojima -- Creation and the dreamtime : Indigenous music in Australia / Michael Blakeney -- E tu, stand up : copyright and Maori music / Jonathan Barrett
요약주기
"This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Australian indigenous music, Maori music and many others." --back cover.
ISBN
1509949380 9781509949380
청구기호
346.0482 M987b
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