소장자료
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020 | ▼a9780300093667 (hbk.)▲ | ||
020 | ▼a9780300259322 (pbk.)▲ | ||
020 | ▼a0300259328 (pbk.)▲ | ||
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100 | 1 | ▼aReynolds, Nancy,▼d1938-▲ | |
245 | 1 | 0 | ▼aNo fixed points :▼bdance in the twentieth century /▼cNancy Reynolds and Malcolm McCormick.▲ |
246 | 3 | ▼aDance in the 20th century▲ | |
260 | ▼aNew Haven :▼bYale University Press,▼c©2003.▲ | ||
300 | ▼axv, 907 p. :▼bill. ;▼c25 cm▲ | ||
504 | ▼aIncludes bibliographical references (p. 745-849) and index.▲ | ||
505 | 0 | 0 | ▼g1.▼tNew dance: America's pioneers (1900-1940) :▼tVaudeville and spectacle extravaganza ;▼tExercise and dress reform ;▼tFuller, Duncan, Denishawn --▼g2.▼tExperimentalism in ballet: Diaghilev, Fokine, and the Russian legacy (1900-1930s) :▼tEnd of the Petipa era ; Diaghilev ;▼tFokine ;▼tNijinsky ;▼tMassine, Nijinska, Balanchine ;▼tOther Russians in the West ;▼tWorldwide influence of later Ballets Russes --▼g3.▼tModernism revealed: Ausdruckstanz, the dance of expression (1910-1945) :▼tLaban ;▼tWigman ;▼tSchlemmer and the Bauhaus ;▼tSolo concert dancers ;▼tKreutzberg and Georgi ;▼tJooss ;▼tAusdruckstanz and National Socialism --▼g4.▼tBallet comes to America (1900-1940s) :▼tEarly visitors ;▼tRussians in America ;▼tBallet Russe tours ;▼tRegionalism, Americana themes ;▼tUnaffiliated Americans --▼g5.▼tAmerica after Denishawn: the heroic age of modern dance (1920-1940s) :▼tModern dance defined ;▼tRole of John Martin ;▼tGraham, Humphrey, Weidman, Holm ;▼tPolitical themes ;▼tBennington summer dance program --▼g6.▼tBallet in Western Europe: the rise of national traditions (1900-1960s) :▼tExpatriate Russians in the West ;▼tRambert, early Tudor, de Valois, Ashton and English Classicism, Fonteyn, early Cranko, early MacMillan, Festival Ballet ;▼tHegemony of the Paris Opéra, Lifar, de Cuevas, Kochno, Petit, Charrat ;▼tDenmark's Bournonville legacy, Lander --▼g7.▼tA world apart: dance in Russia and the Soviet Union (1900-1960s) :▼tInnovation in Moscow ;▼tThe Russian Revolution ;▼tThe experimental 1920s ;▼tSocialist realism, the drambalet ;▼tLimited thaw --▼g8.▼tBallet in America comes of age (1935-1965) :▼tBalanchine in America ;▼tAmerican Ballet Theatre ;▼tAmerican Ballet Russe ;▼tNew York City Ballet ;▼tBallets: U.S.A. ;▼tFord Foundation grants ;▼tEarly Joffrey.▲ |
505 | 0 | 0 | ▼g9.▼tModern dance: the second generation (1935-1980s) :▼tSokolow, Lang ;▼tKing, Shearer ;▼tLimón ;▼tHorton ;▼tDunham, Primus ; Ailey --▼g10.▼tSchism and transition: reinterpreting modern dance (1940s-2000) :▼tCunningham ;▼tHawkins ;▼tNikolais, Louis ; Taylor ;▼tWaring --▼g11.▼tBeyond the boundaries: postmodernism (1960-1980) :▼tPrecursors ;▼tRobert Dunn and the Judson Church ;▼tNew spaces ;▼tHalprin, Rainer ;▼tPaxton and contact improvisation ;▼tBrown ;▼tMonk ;▼tChilds ;▼tEarly Tharp --▼g12.▼tInternationalism: the merging of the disciplines (1950-2000) :▼tMerging before 1950 ;▼tModern dance comes to Europe ;▼tCullberg, Butler, Tetley ;▼tBéjart ;▼tvan Manen, van Dantzig, Kylián ;▼tNeumeier, Forsythe ;▼tRambert as a modern company, Alston ;▼tFlindt ;▼tAmerican "internationalists" ;▼tArpino, Feld, Lubovich, Goh ;▼tPrime Tharp ;▼tCrossover ballets --▼g13.▼tBallet rising (1960-1990s) :▼tThe ballet boom ;▼tGovernment funding ;▼tNureyev, Makarova, Baryshnikov ;▼tThe revival of full-evening classes ;▼tCranko, MacMillan ;▼tThe dominance of Balanchine --▼g14.▼tBallet's high tide (1960s-2000) :▼tNew York City Ballet and American Ballet Theatre ;▼tThe Joffrey, Dance Theatre of Harlem, Harkness, Les Ballets Trockadero ;▼tRegional Ballet in America ;▼tCanada ;▼tGreat Britain ;▼tFrance ;▼tGermany ;▼tThe Soviet Union and the new Russia ;▼tDenmark, Switzerland, Spain --▼g15.▼tLate modernism: pluralism and the ascendancy of style (1960s-2000) :▼tThe global vision, "new postmodernism" ;▼tWilson, Pilobolus, Bill T. Jones/Arnie Zane, Garth Fagan, new physical dance, Mark Morris ;▼tCanada ;▼tGermany ;▼tFrance ;▼tBelgium ;▼tScandinavia ;▼tLondon Contemporary Dance Theatre, Alston, British New Dance ;▼tButoh --▼g16.▼tMusical theater in America (1900-2000) :▼tMinstrelsy, tap, chorus lines, operetta, ballroom ;▼tZiegfeld, Cohan, Miller, black musicals, Princess Theatre musicals ;▼tThe Golden Age, 1930-1980 ;▼tReemergence of tap ;▼tRevival fever --▼g17.▼tDance in the movies (1900-2000) :▼tThe silents ;▼tThe talkies ;▼tBerkeley ;▼tAstaire ;▼tBalanchine ;▼tThe Golden Age of the Hollywood musical, 1942-1957 ;▼tBroadway shows on film ;▼tDecline of the studio system ;▼tThe backstage world of ballet.▲ |
520 | ▼aChronicles one hundred years of dramatic developments in ballet, modern, and experimental dance for stage and screen in Europe and North America.▲ | ||
650 | 0 | ▼aDance▼xHistory▼y20th century.▲ | |
650 | 0 | ▼aBallet▼xHistory▼y20th century.▲ | |
650 | 0 | ▼aModern dance▼xHistory▼y20th century.▲ | |
700 | 1 | ▼aMcCormick, Malcolm.▲ |
No fixed points : dance in the twentieth century
자료유형
국외단행본
서명/책임사항
No fixed points : dance in the twentieth century / Nancy Reynolds and Malcolm McCormick.
다양한 서명
Dance in the 20th century
발행사항
New Haven : Yale University Press , ©2003.
형태사항
xv, 907 p. : ill. ; 25 cm
서지주기
Includes bibliographical references (p. 745-849) and index.
내용주기
1. New dance: America's pioneers (1900-1940) : Vaudeville and spectacle extravaganza ; Exercise and dress reform ; Fuller, Duncan, Denishawn -- 2. Experimentalism in ballet: Diaghilev, Fokine, and the Russian legacy (1900-1930s) : End of the Petipa era ; Diaghilev ; Fokine ; Nijinsky ; Massine, Nijinska, Balanchine ; Other Russians in the West ; Worldwide influence of later Ballets Russes -- 3. Modernism revealed: Ausdruckstanz, the dance of expression (1910-1945) : Laban ; Wigman ; Schlemmer and the Bauhaus ; Solo concert dancers ; Kreutzberg and Georgi ; Jooss ; Ausdruckstanz and National Socialism -- 4. Ballet comes to America (1900-1940s) : Early visitors ; Russians in America ; Ballet Russe tours ; Regionalism, Americana themes ; Unaffiliated Americans -- 5. America after Denishawn: the heroic age of modern dance (1920-1940s) : Modern dance defined ; Role of John Martin ; Graham, Humphrey, Weidman, Holm ; Political themes ; Bennington summer dance program -- 6. Ballet in Western Europe: the rise of national traditions (1900-1960s) : Expatriate Russians in the West ; Rambert, early Tudor, de Valois, Ashton and English Classicism, Fonteyn, early Cranko, early MacMillan, Festival Ballet ; Hegemony of the Paris Opéra, Lifar, de Cuevas, Kochno, Petit, Charrat ; Denmark's Bournonville legacy, Lander -- 7. A world apart: dance in Russia and the Soviet Union (1900-1960s) : Innovation in Moscow ; The Russian Revolution ; The experimental 1920s ; Socialist realism, the drambalet ; Limited thaw -- 8. Ballet in America comes of age (1935-1965) : Balanchine in America ; American Ballet Theatre ; American Ballet Russe ; New York City Ballet ; Ballets: U.S.A. ; Ford Foundation grants ; Early Joffrey.
9. Modern dance: the second generation (1935-1980s) : Sokolow, Lang ; King, Shearer ; Limón ; Horton ; Dunham, Primus ; Ailey -- 10. Schism and transition: reinterpreting modern dance (1940s-2000) : Cunningham ; Hawkins ; Nikolais, Louis ; Taylor ; Waring -- 11. Beyond the boundaries: postmodernism (1960-1980) : Precursors ; Robert Dunn and the Judson Church ; New spaces ; Halprin, Rainer ; Paxton and contact improvisation ; Brown ; Monk ; Childs ; Early Tharp -- 12. Internationalism: the merging of the disciplines (1950-2000) : Merging before 1950 ; Modern dance comes to Europe ; Cullberg, Butler, Tetley ; Béjart ; van Manen, van Dantzig, Kylián ; Neumeier, Forsythe ; Rambert as a modern company, Alston ; Flindt ; American "internationalists" ; Arpino, Feld, Lubovich, Goh ; Prime Tharp ; Crossover ballets -- 13. Ballet rising (1960-1990s) : The ballet boom ; Government funding ; Nureyev, Makarova, Baryshnikov ; The revival of full-evening classes ; Cranko, MacMillan ; The dominance of Balanchine -- 14. Ballet's high tide (1960s-2000) : New York City Ballet and American Ballet Theatre ; The Joffrey, Dance Theatre of Harlem, Harkness, Les Ballets Trockadero ; Regional Ballet in America ; Canada ; Great Britain ; France ; Germany ; The Soviet Union and the new Russia ; Denmark, Switzerland, Spain -- 15. Late modernism: pluralism and the ascendancy of style (1960s-2000) : The global vision, "new postmodernism" ; Wilson, Pilobolus, Bill T. Jones/Arnie Zane, Garth Fagan, new physical dance, Mark Morris ; Canada ; Germany ; France ; Belgium ; Scandinavia ; London Contemporary Dance Theatre, Alston, British New Dance ; Butoh -- 16. Musical theater in America (1900-2000) : Minstrelsy, tap, chorus lines, operetta, ballroom ; Ziegfeld, Cohan, Miller, black musicals, Princess Theatre musicals ; The Golden Age, 1930-1980 ; Reemergence of tap ; Revival fever -- 17. Dance in the movies (1900-2000) : The silents ; The talkies ; Berkeley ; Astaire ; Balanchine ; The Golden Age of the Hollywood musical, 1942-1957 ; Broadway shows on film ; Decline of the studio system ; The backstage world of ballet.
9. Modern dance: the second generation (1935-1980s) : Sokolow, Lang ; King, Shearer ; Limón ; Horton ; Dunham, Primus ; Ailey -- 10. Schism and transition: reinterpreting modern dance (1940s-2000) : Cunningham ; Hawkins ; Nikolais, Louis ; Taylor ; Waring -- 11. Beyond the boundaries: postmodernism (1960-1980) : Precursors ; Robert Dunn and the Judson Church ; New spaces ; Halprin, Rainer ; Paxton and contact improvisation ; Brown ; Monk ; Childs ; Early Tharp -- 12. Internationalism: the merging of the disciplines (1950-2000) : Merging before 1950 ; Modern dance comes to Europe ; Cullberg, Butler, Tetley ; Béjart ; van Manen, van Dantzig, Kylián ; Neumeier, Forsythe ; Rambert as a modern company, Alston ; Flindt ; American "internationalists" ; Arpino, Feld, Lubovich, Goh ; Prime Tharp ; Crossover ballets -- 13. Ballet rising (1960-1990s) : The ballet boom ; Government funding ; Nureyev, Makarova, Baryshnikov ; The revival of full-evening classes ; Cranko, MacMillan ; The dominance of Balanchine -- 14. Ballet's high tide (1960s-2000) : New York City Ballet and American Ballet Theatre ; The Joffrey, Dance Theatre of Harlem, Harkness, Les Ballets Trockadero ; Regional Ballet in America ; Canada ; Great Britain ; France ; Germany ; The Soviet Union and the new Russia ; Denmark, Switzerland, Spain -- 15. Late modernism: pluralism and the ascendancy of style (1960s-2000) : The global vision, "new postmodernism" ; Wilson, Pilobolus, Bill T. Jones/Arnie Zane, Garth Fagan, new physical dance, Mark Morris ; Canada ; Germany ; France ; Belgium ; Scandinavia ; London Contemporary Dance Theatre, Alston, British New Dance ; Butoh -- 16. Musical theater in America (1900-2000) : Minstrelsy, tap, chorus lines, operetta, ballroom ; Ziegfeld, Cohan, Miller, black musicals, Princess Theatre musicals ; The Golden Age, 1930-1980 ; Reemergence of tap ; Revival fever -- 17. Dance in the movies (1900-2000) : The silents ; The talkies ; Berkeley ; Astaire ; Balanchine ; The Golden Age of the Hollywood musical, 1942-1957 ; Broadway shows on film ; Decline of the studio system ; The backstage world of ballet.
요약주기
Chronicles one hundred years of dramatic developments in ballet, modern, and experimental dance for stage and screen in Europe and North America.
ISBN
0300093667 (hbk.) 9780300093667 (hbk.) 9780300259322 (pbk.) 0300259328 (pbk.)
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792.80904 R464n
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