소장자료
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| 005 | 20180521062911▲ | ||
| 008 | 111011s1998 enkab b 001 0 eng d▲ | ||
| 010 | ▼a98229703▲ | ||
| 020 | ▼a0714833886▲ | ||
| 035 | ▼a(KERIS)REF000004871582▲ | ||
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| 082 | 0 | 0 | ▼a709/.04/075▼221▲ |
| 090 | ▼a709.04075▼bG583c▲ | ||
| 100 | 1 | ▼aGodfrey, Tony▼0313082▲ | |
| 245 | 1 | 0 | ▼aConceptual art /▼cTony Godfrey.▲ |
| 260 | ▼aLondon :▼bPhaidon,▼c1998.▲ | ||
| 300 | ▼a447 p. :▼bill. (some col.), maps ;▼c22 cm.▲ | ||
| 440 | 0 | ▼aArt & ideas▲ | |
| 504 | ▼aIncludes bibliographical references (p. 438-440) and index.▲ | ||
| 505 | 0 | ▼aIntroduction: What is conceptual art? --Anti-art gestures in early modernism: Duchamp and Dada --The postwar period: alternatives to painting --False, radical and obdurate: realities in the early 1960s --The dematerialized object, almost: eight conceptual artworks --Who were the brain police?: varieties of conceptual art --The crisis of authority: political and institutional contexts --The end?: decline or diaspora of conceptual art? --Where were they?: the curious case of women conceptual artists --Looking at others: artists using photography --What is your name?: artists using words since 1980 --Who are the style police?: controversies and contexts in recent art.▲ | |
| 520 | ▼aWhat is art? Must it be a unique, saleable luxury item? Can it be a concept that never takes material form? Or an idea for a work that can be repeated endlessly? Conceptual art favours an engagement with such questions. As the variety of illustrations in this book shows, it can take many forms: photographs, videos, posters, billboards, charts, plans and, especially, language itself. Tony Godfrey has written a clear, lively and informative account of this fascinating phenomenon. He traces the origins of Conceptual art to Marcel Duchamp and the anti-art gestures of Dada, and then establishes links to those artists who emerged in the 1960s and early 1970s, whose work forms the heart of this study: Joseph Kosuth, Lawrence Weiner, Victor Burgin, Marcel Broodthaers and many others.▲ | ||
| 650 | 0 | ▼aConceptual art.▲ | |
| 650 | 0 | ▼aArt, Modern▼y20th century.▲ | |
| 999 | ▼a정영주▲ |
Conceptual art
자료유형
국외단행본
서명/책임사항
Conceptual art / Tony Godfrey.
개인저자
발행사항
London : Phaidon , 1998.
형태사항
447 p. : ill. (some col.), maps ; 22 cm.
총서사항
서지주기
Includes bibliographical references (p. 438-440) and index.
내용주기
Introduction: What is conceptual art? --Anti-art gestures in early modernism: Duchamp and Dada --The postwar period: alternatives to painting --False, radical and obdurate: realities in the early 1960s --The dematerialized object, almost: eight conceptual artworks --Who were the brain police?: varieties of conceptual art --The crisis of authority: political and institutional contexts --The end?: decline or diaspora of conceptual art? --Where were they?: the curious case of women conceptual artists --Looking at others: artists using photography --What is your name?: artists using words since 1980 --Who are the style police?: controversies and contexts in recent art.
요약주기
What is art? Must it be a unique, saleable luxury item? Can it be a concept that never takes material form? Or an idea for a work that can be repeated endlessly? Conceptual art favours an engagement with such questions. As the variety of illustrations in this book shows, it can take many forms: photographs, videos, posters, billboards, charts, plans and, especially, language itself. Tony Godfrey has written a clear, lively and informative account of this fascinating phenomenon. He traces the origins of Conceptual art to Marcel Duchamp and the anti-art gestures of Dada, and then establishes links to those artists who emerged in the 1960s and early 1970s, whose work forms the heart of this study: Joseph Kosuth, Lawrence Weiner, Victor Burgin, Marcel Broodthaers and many others.
ISBN
0714833886
청구기호
709.04075 G583c
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