소장자료
| LDR | 03543cam a2200000 a | ||
| 001 | 0100874318▲ | ||
| 005 | 20250811104121▲ | ||
| 007 | ta ▲ | ||
| 008 | 230308s2024 njua b 001 0 eng ▲ | ||
| 020 | ▼a9780691246017▼q(hardback)▲ | ||
| 020 | ▼z9780691256153▼q(ebook)▲ | ||
| 040 | ▼a221016▼c221016▲ | ||
| 082 | 0 | 0 | ▼a770.9663▼223▲ |
| 090 | ▼a770.9663▼bP211p▲ | ||
| 100 | 1 | ▼aPaoletti, Giulia.▲ | |
| 245 | 1 | 0 | ▼aPortrait and place :▼bphotography in Senegal, 1840-1960 /▼cGiulia Paoletti.▲ |
| 260 | ▼aPrinceton :▼bPrinceton University Press,▼c[2024]▲ | ||
| 300 | ▼a230 p. :▼bill. ;▼c27 cm▲ | ||
| 336 | ▼atext▼btxt▼2rdacontent▲ | ||
| 337 | ▼aunmediated▼bn▼2rdamedia▲ | ||
| 338 | ▼avolume▼bnc▼2rdacarrier▲ | ||
| 504 | ▼aIncludes bibliographical references (pages 209-221) and index.▲ | ||
| 520 | ▼a"Strategically located on the Atlantic Ocean at the westernmost point of the continent, Senegal is well-known as an epicenter of Africa's modernities, modernisms, and liberation movements. It was also one of the countries where the daguerreotype first arrived in sub-Saharan Africa before circulating inland and across the region. At that time, Senegal did not exist as a nation state; local kingdoms were still in power and the French presence was limited to trading posts along the coast. The pioneers of photography in the 1840s were not exclusively Europeans, but also African, African-American, and Asian entrepreneurs. In the decades that followed, amateurs and professionals working in rural areas continued to explore and expand photography's possibilities. Senegal's photographic histories thrived as part of a global visual economy during and despite the colonial experience. Its works emerged as an integral part of the history of this medium, which unlike any other was a global enterprise from the very beginning. Portrait and place offers the first history of photography in this important country, from its first iterations, photographers, and patrons of the 1840s to photographers such as Oumar Ka (b. 1930) and Mama Casset (1908-1992), who were were active in the 1960s during the transition from the colonial to the postcolonial era. Giulia Paoletti presents close studies of photographs, firmly anchoring these objects, their authors, and their consumers in a global context that extends across West Africa, the Black Atlantic, and the greater Islamic community-in other words, beyond the borders of colonial empire. Based on over ten years of field and archival research in Senegal, this book features almost exclusively new, previously unpublished visual material and explores both professional and amateur artists working in a wide variety of genres, from landscape to portraiture, and in media such as daguerreotypes and glass paintings. As the first book to focus exclusively on Senegal's photographic histories, Portrait and place expands the notions of what the medium has been and can be, from a Eurocentric model to one that is decidedly-insistingly-larger and more inclusive"--▼cProvided by publisher.▲ | ||
| 600 | 1 | 0 | ▼aCasset, Mama,▼d1908-1992.▲ |
| 600 | 1 | 0 | ▼aKa, Oumar,▼d1930-2020.▲ |
| 650 | 0 | ▼aPhotography▼zSenegal▼xHistory.▲ | |
| 650 | 0 | ▼aPhotographers▼zSenegal.▲ | |
| 650 | 0 | ▼aPhotography▼xReligious aspects▼xIslam.▲ |
Portrait and place : photography in Senegal, 1840-1960
자료유형
국외단행본
서명/책임사항
Portrait and place : photography in Senegal, 1840-1960 / Giulia Paoletti.
발행사항
Princeton : Princeton University Press , [2024]
형태사항
230 p. : ill. ; 27 cm
서지주기
Includes bibliographical references (pages 209-221) and index.
요약주기
"Strategically located on the Atlantic Ocean at the westernmost point of the continent, Senegal is well-known as an epicenter of Africa's modernities, modernisms, and liberation movements. It was also one of the countries where the daguerreotype first arrived in sub-Saharan Africa before circulating inland and across the region. At that time, Senegal did not exist as a nation state; local kingdoms were still in power and the French presence was limited to trading posts along the coast. The pioneers of photography in the 1840s were not exclusively Europeans, but also African, African-American, and Asian entrepreneurs. In the decades that followed, amateurs and professionals working in rural areas continued to explore and expand photography's possibilities. Senegal's photographic histories thrived as part of a global visual economy during and despite the colonial experience. Its works emerged as an integral part of the history of this medium, which unlike any other was a global enterprise from the very beginning. Portrait and place offers the first history of photography in this important country, from its first iterations, photographers, and patrons of the 1840s to photographers such as Oumar Ka (b. 1930) and Mama Casset (1908-1992), who were were active in the 1960s during the transition from the colonial to the postcolonial era. Giulia Paoletti presents close studies of photographs, firmly anchoring these objects, their authors, and their consumers in a global context that extends across West Africa, the Black Atlantic, and the greater Islamic community-in other words, beyond the borders of colonial empire. Based on over ten years of field and archival research in Senegal, this book features almost exclusively new, previously unpublished visual material and explores both professional and amateur artists working in a wide variety of genres, from landscape to portraiture, and in media such as daguerreotypes and glass paintings. As the first book to focus exclusively on Senegal's photographic histories, Portrait and place expands the notions of what the medium has been and can be, from a Eurocentric model to one that is decidedly-insistingly-larger and more inclusive"-- Provided by publisher.
주제
ISBN
9780691246017
청구기호
770.9663 P211p
소장정보
예도서예약
서서가에없는책 신고
방방문대출신청
보보존서고신청
캠캠퍼스대출
우우선정리신청
배자료배달신청
문문자발송
출청구기호출력
학소장학술지 원문서비스
| 등록번호 | 청구기호 | 소장처 | 도서상태 | 반납예정일 | 서비스 |
|---|
북토크
자유롭게 책을 읽고
느낀점을 적어주세요
글쓰기
느낀점을 적어주세요
청구기호 브라우징
관련 인기대출 도서