소장자료
| LDR | 04278cam a2200661Ki 4500 | ||
| 001 | 0100731520▲ | ||
| 003 | OCoLC▲ | ||
| 005 | 20230920163641▲ | ||
| 006 | m d ▲ | ||
| 007 | cr cnu|||unuuu▲ | ||
| 008 | 190116s2019 mau o 000 0 eng d▲ | ||
| 019 | ▼a1125741040▼a1164458073▲ | ||
| 020 | ▼a9780262352093▼q(electronic bk.)▲ | ||
| 020 | ▼a0262352095▼q(electronic bk.)▲ | ||
| 020 | ▼z9780262039628▲ | ||
| 020 | ▼z0262039621▲ | ||
| 035 | ▼a2517832▼b(N$T)▲ | ||
| 035 | ▼a(OCoLC)1082365824▼z(OCoLC)1125741040▼z(OCoLC)1164458073▲ | ||
| 037 | ▼a8817▼bMIT Press▲ | ||
| 037 | ▼a9780262352093▼bMIT Press▲ | ||
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| 049 | ▼aMAIN▲ | ||
| 050 | 4 | ▼aN7433.8▼b.B62 2019eb▲ | |
| 082 | 0 | 4 | ▼a700.1▼223▲ |
| 100 | 1 | ▼aBoden, Margaret A.,▼eauthor.▲ | |
| 245 | 1 | 0 | ▼aFrom fingers to digits▼h[electronic resource] :▼ban artificial aesthetic /▼cMargaret A. Boden and Ernest Edmonds.▲ |
| 260 | ▼aCambridge :▼bThe MIT Press, ▼c2019.▲ | ||
| 300 | ▼a1 online resource (384 pages)▲ | ||
| 336 | ▼atext▼btxt▼2rdacontent▲ | ||
| 337 | ▼acomputer▼bc▼2rdamedia▲ | ||
| 338 | ▼aonline resource▼bcr▼2rdacarrier▲ | ||
| 490 | 1 | ▼aLeonardo▲ | |
| 505 | 0 | ▼aIntroduction -- A taxonomy of computer art -- Explaining the ineffable -- Art appreciation and creative skills -- Can evolutionary art provide radical novelty? -- Collingwood, emotion, and computer art -- The gothic and computer art -- Computer art and the art world -- Formal ways of making art: code as an answer to a dream -- Programming as art -- Diversities of interaction -- Correspondences: uniting image and sound -- Diversities of engagement -- Conversations with computer artists.▲ | |
| 520 | ▼aEssays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence. In From Fingers to Digits, a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies--photography and film--have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not Is writing a computer program equivalent to painting with a brush Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays.▲ | ||
| 588 | 0 | ▼aPrint version record.▲ | |
| 590 | ▼aAdded to collection customer.56279.3▲ | ||
| 650 | 0 | ▼aComputer art.▲ | |
| 650 | 0 | ▼aArt▼xPhilosophy.▲ | |
| 650 | 7 | ▼aCOMPUTERS / Human-Computer Interaction (HCI).▼2bisacsh▲ | |
| 650 | 7 | ▼aArt▼xPhilosophy.▼2fast▼0(OCoLC)fst00815307▲ | |
| 650 | 7 | ▼aComputer art.▼2fast▼0(OCoLC)fst00872033▲ | |
| 655 | 4 | ▼aElectronic books.▲ | |
| 700 | 1 | ▼aEdmonds, Ernest A., ▼d1942-▼eauthor.▲ | |
| 776 | 0 | 8 | ▼iPrint version:▼aBoden, Margaret A.▼tFrom fingers to digits▼z9780262039628▼w(DLC) 2018029639▼w(OCoLC)1043973016▲ |
| 830 | 0 | ▼aLeonardo book series.▲ | |
| 856 | 4 | 0 | ▼3EBSCOhost▼uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2517832▲ |
From fingers to digits[electronic resource] : an artificial aesthetic
자료유형
국외eBook
서명/책임사항
From fingers to digits [electronic resource] : an artificial aesthetic / Margaret A. Boden and Ernest Edmonds.
발행사항
Cambridge : The MIT Press , 2019.
형태사항
1 online resource (384 pages)
내용주기
Introduction -- A taxonomy of computer art -- Explaining the ineffable -- Art appreciation and creative skills -- Can evolutionary art provide radical novelty? -- Collingwood, emotion, and computer art -- The gothic and computer art -- Computer art and the art world -- Formal ways of making art: code as an answer to a dream -- Programming as art -- Diversities of interaction -- Correspondences: uniting image and sound -- Diversities of engagement -- Conversations with computer artists.
요약주기
Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence. In From Fingers to Digits, a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies--photography and film--have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not Is writing a computer program equivalent to painting with a brush Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays.
주제
ISBN
9780262352093 0262352095
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