학술논문
Revisiting Eva Marie Saint's white glove: on props, neurons, subtext, and empathy
Document Type
Critical essay
Author
Source
Theatre Symposium. January 1, 2010, Vol. 18 , p99, 17 p.
Subject
Language
English
ISSN
1065-4917
Abstract
IN WHAT is known as the 'white glove scene' of Elia Kazan and Budd Schulberg's 1954 film On the Waterfront, Eva Marie Saint's good-girl character, Edie Doyle, does not wish [...]