Catalog
LDR | 02532cam a2200313 a 4500 | ||
001 | 0093784603▲ | ||
005 | 20180520111926▲ | ||
008 | 170907s2016 enk b 001 0 eng c▲ | ||
010 | ▼a2015956585▲ | ||
020 | ▼a9780198777779▲ | ||
020 | ▼a0198777779▲ | ||
035 | ▼a(KERIS)REF000018216638▲ | ||
040 | ▼aERASA▼beng▼cERASA▼dOCLCO▼dYDXCP▼dBDX▼dBTCTA▼dOCLCQ▼dOCLCO▼dOCLCF▼dHLS▼dLYU▼dDLC▼d221016▲ | ||
042 | ▼alccopycat▲ | ||
050 | 0 | 0 | ▼aPR5907▼b.S68 2016▲ |
082 | 0 | 4 | ▼a821.8▼223▲ |
090 | ▼a821.8▼bS719d▲ | ||
100 | 1 | ▼aSoud, W. David.▲ | |
245 | 1 | 0 | ▼aDivine cartographies :▼bgod, history and poiesis in W.B. Yeats, David Jones, and T.S. Eliot. /▼cW. David Soud.▲ |
260 | ▼aOxford :▼bOxford University Press,▼c2016.▲ | ||
300 | ▼a246 p. ;▼c23 cm.▲ | ||
490 | 0 | ▼aOxford English Monographs▲ | |
505 | 0 | ▼aGeneral Introduction -- The Divine Self at Play : History and Liberation in the Late Poems of W. B. Yeats -- The Figure and the Map : The Anathemata of David Jones -- The Silence and the Moment : The Dialectical Poetics of Four Quartets -- Afterword.▲ | |
520 | ▼aRecent critical studies of late modernism have explored the changing sense of both history and artistic possibility that emerged in the years surrounding World War II. However, relatively little attention has been devoted to the impact of poets' theological deliberations on their visions of history and their poetic strategies. 'Divine Cartographies: God, History, and Poiesis in W.B. Yeats, David Jones, and T.S. Eliot' triangulates key texts as attempts to map theologically driven visions of the relation between history and eternity. W. David Soud considers several poems of Yeats's final and most fruitful engagement with Indic traditions, Jones's The Anathemata, and Eliot's Four Quartets. For these three poets, working at the height of their powers, that project was inseparable from reflection on the relation between the individual self and God; it was also bound up with questions of theodicy, subjectivity, and the task of the poet in the midst of historical trauma. Drawing on the fields of Indology, theology, and history of religions as well as literary criticism, Soud explores in depth and detail how, in these texts, theology is poetics.▲ | ||
600 | 1 | 0 | ▼aYeats, W. B.▼q(William Butler),▼d1865-1939▼xCriticism and interpretation.▲ |
600 | 1 | 0 | ▼aJones, David,▼d1895-1974▼xCriticism and interpretation.▲ |
600 | 1 | 0 | ▼aEliot, T. S.▼q(Thomas Stearns),▼d1888-1965▼xCriticism and interpretation.▲ |
650 | 0 | ▼aReligion in literature.▲ | |
999 | ▼a정재훈▼c김미선▲ |
Divine cartographies :god, history and poiesis in W.B. Yeats, David Jones, and T.S. Eliot
Document Type
Foreign Book
Title
Divine cartographies : god, history and poiesis in W.B. Yeats, David Jones, and T.S. Eliot. / W. David Soud.
Author
Publication
Oxford : Oxford University Press , 2016.
Physical Description
246 p. ; 23 cm.
Series Title
Formatted Contents Note
General Introduction -- The Divine Self at Play : History and Liberation in the Late Poems of W. B. Yeats -- The Figure and the Map : The Anathemata of David Jones -- The Silence and the Moment : The Dialectical Poetics of Four Quartets -- Afterword.
Summary Note
Recent critical studies of late modernism have explored the changing sense of both history and artistic possibility that emerged in the years surrounding World War II. However, relatively little attention has been devoted to the impact of poets' theological deliberations on their visions of history and their poetic strategies. 'Divine Cartographies: God, History, and Poiesis in W.B. Yeats, David Jones, and T.S. Eliot' triangulates key texts as attempts to map theologically driven visions of the relation between history and eternity. W. David Soud considers several poems of Yeats's final and most fruitful engagement with Indic traditions, Jones's The Anathemata, and Eliot's Four Quartets. For these three poets, working at the height of their powers, that project was inseparable from reflection on the relation between the individual self and God; it was also bound up with questions of theodicy, subjectivity, and the task of the poet in the midst of historical trauma. Drawing on the fields of Indology, theology, and history of religions as well as literary criticism, Soud explores in depth and detail how, in these texts, theology is poetics.
Subject
ISBN
9780198777779 0198777779
Call Number
821.8 S719d
Items
RReservation
AAbsent
VPreservation
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