Catalog
LDR | 03472cam a22000007a | ||
001 | 0100481451▲ | ||
005 | 20200925134340▲ | ||
007 | ta ▲ | ||
008 | 150203s2015 enka c 001 0 eng c▲ | ||
020 | ▼a9780500093924▲ | ||
020 | ▼a050009392X▲ | ||
035 | ▼a(KERIS)REF000018728188▲ | ||
040 | ▼aBTCTA▼beng▼cBTCTA▼dBDX▼dERASA▼dYDXCP▼dCHVBK▼dOCLCO▼dCDX▼d221016▲ | ||
082 | 0 | 4 | ▼a791.4/3▼223▲ |
090 | ▼a791.43▼bV795b▲ | ||
100 | 1 | ▼aViola, Bill,▼d1951-▲ | |
245 | 1 | 0 | ▼aBill Viola /▼cJohn G. Hanhardt ; edited by Kira Perov.▲ |
260 | ▼aLondon :▼bThames & Hudson,▼c2015.▲ | ||
300 | ▼a293 p. :▼bill. (some color) ;▼c29 cm.▲ | ||
504 | ▼aIncludes bibliographical references and index.▲ | ||
505 | 0 | ▼aPreface / Kira Perov -- Introduction: Thought, reflection, belief -- The discovery of video -- 1970s: Reflections on nature and time -- 1980s: Expanded visions of life and memory -- 1990s: The joining of the spiritual to the aesthetic -- 1990s: Embodying emotion on video -- 2000s: A humanism for our times -- Coda: The martyrs -- Notes -- Chronology -- Exhibition history and bibliography -- List of works and illustrations -- Acknowledgements -- Index.▲ | |
520 | ▼aBill Viola began producing video works in the early 1970s and since then has captivated audiences with his poignant and beautifully wrought interpretations of human experience. Viola has explored the possibilities of electronic, visual, and sound practices throughout his career and is today one of the most celebrated proponents of video art. This is the first monograph to chart Viola's career in full, covering his education in New York, his earliest major films, his retrospective at the Whitney Museum in 1997, and his recent installations in Venice, New York, Tokyo, London, and Berlin. Renowned curator and specialist in video art John Hanhardt outlines the key visual, literary, and spiritual influences in Viola's work and his changing approach to the medium of film as its technology advances. Woven into the discussion are illustrations of Viola's most significant works, including Information (1973), The Passing (1991), The Greeting (1995), Going Forth by Day (2002), and Martyrs, the 2014 film commissioned for St Paul's Cathedral in London, as well as reproductions of Viola's sketches and notebooks that bring his working process to life.--Publisher website.▲ | ||
600 | 1 | 0 | ▼aViola, Bill,▼d1951-▼xCriticism and interpretation.▲ |
600 | 1 | 0 | ▼aViola, Bill,▼d1951-▼vCatalogs.▲ |
650 | 0 | ▼aVideo art▼vCatalogs.▲ | |
650 | 0 | ▼aInstallations (Art)▼vCatalogs.▲ | |
700 | 1 | ▼aHanhardt, John G.▲ | |
700 | 1 | ▼aPerov, Kira.▲ |
Bill Viola
Document Type
Foreign Book
Title
Bill Viola / John G. Hanhardt ; edited by Kira Perov.
Publication
London : Thames & Hudson , 2015.
Physical Description
293 p. : ill. (some color) ; 29 cm.
Bibliography Note
Includes bibliographical references and index.
Formatted Contents Note
Preface / Kira Perov -- Introduction: Thought, reflection, belief -- The discovery of video -- 1970s: Reflections on nature and time -- 1980s: Expanded visions of life and memory -- 1990s: The joining of the spiritual to the aesthetic -- 1990s: Embodying emotion on video -- 2000s: A humanism for our times -- Coda: The martyrs -- Notes -- Chronology -- Exhibition history and bibliography -- List of works and illustrations -- Acknowledgements -- Index.
Summary Note
Bill Viola began producing video works in the early 1970s and since then has captivated audiences with his poignant and beautifully wrought interpretations of human experience. Viola has explored the possibilities of electronic, visual, and sound practices throughout his career and is today one of the most celebrated proponents of video art. This is the first monograph to chart Viola's career in full, covering his education in New York, his earliest major films, his retrospective at the Whitney Museum in 1997, and his recent installations in Venice, New York, Tokyo, London, and Berlin. Renowned curator and specialist in video art John Hanhardt outlines the key visual, literary, and spiritual influences in Viola's work and his changing approach to the medium of film as its technology advances. Woven into the discussion are illustrations of Viola's most significant works, including Information (1973), The Passing (1991), The Greeting (1995), Going Forth by Day (2002), and Martyrs, the 2014 film commissioned for St Paul's Cathedral in London, as well as reproductions of Viola's sketches and notebooks that bring his working process to life.--Publisher website.
Subject
ISBN
9780500093924 050009392X
Call Number
791.43 V795b
Items
RReservation
AAbsent
VPreservation
CLoan Campus
QRush Cataloging
DDelivery Service
SSMS
PPrint
HHolding Journal DDS
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